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Superman "Man of Steel" 12 inch Poseable Figure
 This 1996 Kenner release stands 12 inches tall on a display stand. A limited edition release back in 1996, this hard to find poseable figure has the character's bio history and other information on the box. US$45.00 |
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Noteworthy Superman dates to remember...
February 1: Stuart Whitman, Jonathan Kent in the Superboy TV series, born in San Francisco, California in 1928.
February 3: The Adventures of Superman makes its debut on television in 1953.
February 5: Smallville Season 9, Tele-Movie 'Absolute Justice' airs for 2 hours from 8.00pm on The CW.
February 6: Artist Bruce Timm (Superman: The Animated Series) born in 1961.
February 8: Jack Larson (Jimmy Olsen in The Adventures of Superman television series) born in Los Angeles, California in 1933.
February 12: Smallville Season 9, Episode 13 'Warrior' airs at 8.00pm on The CW.
February 12: The Superman radio serial debuts in 1940.
February 17: Long-time Superman artist Curt Swan born in 1920.
February 19: Smallville Season 9, Episode 14 'Persuasion' airs at 8.00pm on The CW.
February 26: Smallville Season 9, Episode 15 'Conspiracy' airs at 8.00pm on The CW.
February 27: Adam Baldwin (voice of Superman in Superman: Doomsday animated movie) born in Chicago, Illinois in 1962.
February 27: Traditionally recognized as the birthday of Lori Lemaris, mermaid of Atlantis.
February 29: Traditionally recognized as Superman's birthday!
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| Movies |
SUPERMAN LIVES (Kevin Smith movie script)
Superman Lives
Written by Kevin Smith
| WARNER BROS. | March 27, 1997 | | 4000 Warner Boulevard | © 1997 | | Burbank, California 91522 | WARNER BROS. |
| All rights reserved. |
EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer to the asteroid.
ALIEN #1 Receiving a signal from an alien system, but there's interference on the channels.
ALIEN #2 Once we get past this asteroid, it should clear up.
Suddenly, THROUGH the windshield, we see tentacles shoot out of the asteroid.
EXT. SPACE
The tentacles wrap themselves around the craft, and electrical energy courses between the pair. The "Asteroid" reveals itself to be the BRAINIAC SKULL SHIP - a tentacled craft that looks like it sounds. A set of "jaws" protrude and puncture the hull of the small craft. It glows white hot with power.
INT. SKULL SHIP - OPERATING THEATRE
We see a surgical table, its contents obscured by the shadows, save for the back of a malformed head. Computer banks and monitors are everywhere. A small ROBOT works beside the table - implanting a cable into the back of the malformed head. It throws a switch. Raw energy blows through the cable, causing the "patient" to convulse and writhe, screaming.
CLOSEUP - METALLIC SHAFT as it begins to reconfigure, taking the shape of an arm. We see the same happen to other parts of his "body" -- hands, legs, facial features.
EXT. SPACE
The craft the Skull Ship holds then goes dark, the energy being sucked from it having run dry.
INT. SKULL SHIP - OPERATING THEATRE
The "patient" stops convulsing, as the cable attached to its head ceases to glow.
BRAINIAC That was all the energy the craft yielded?
L-RON The craft was a short-ranger, my Lord. I'm surprised that can had enough juice to give you this much form. We pulled 1.9 trigs out of it. There's nothing more to get.
BRAINIAC (rising) An inaccurate assessment.
INT. SMALL CRAFT
The frightened Aliens try to re-start their craft.
ALIEN #1 (off computer) Motion detectors are picking up something breaching the hull!
The DOORS melt. BRAINIAC enters: humanoid in appearance, green- skinned, black-eyed, red-lipped. Metallic, and bald. A series of metal relays criss-cross his forehead -- three solid circles, intersected by straight lines.
The aliens reach for LASER-GATLINGS and FIRE, but they cause no damage. Brainiac instead grabs the weapons, jamming them into his body -- consuming the lasers into his form, energizing. He drops the guns, and his hands morph into tendrils, which plunge into the chests of the terrified Aliens. He absorbs their life forces, making them husks -- at which point they explode, covering the cabin in goo. Brainiac inhales deeply, charged.
EXT. SPACE
The tentacles of the Skull Ship unravel from the wrecked craft. The Skull Ship powers up and thrusts into the void.
INT. SKULL SHIP BRIDGE
Brainiac watches space part before him on the View Screen. L-Ron joins him, holding a containment unit.
BRAINIAC The cosmic irony, L-Ron -- I who have destroyed a world am now forced to subsist like a parasite. Once, infinite power was my manifest. Now look at the pride of Colu -- feeble attempts to maintain even this meager anthropomorphic form!
L-RON At least you have what passes for legs.
Brainiac gives L-Ron a withering look.
BRAINIAC What did your search of the craft yield?
L-Ron holds up the containment jar, inside which scurries a multi- legged fist-sized creature.
BRAINIAC (glances at it) Thanagarian Snare Beast. Infancy stage. Illegal in sixteen systems due to the advanced nature of their growth patterns outside of their own atmosphere. (beat) Add it to the menagerie.
Then, a BEACON sounds. On the main screen, scrambled letters and numbers appear, forming the distorted image of Lex Luthor -- commanding, corporate, suave, bald... And ominous.
LEX (V.O) Greetings. This message -- transmitted in over one hundred languages -- comes to you from Earth.
Brainiac regards the message curiously.
LEX (V.O.) I am Lex Luthor, owner and C.E.O. of LexCorp -- a vast and powerful conglomerate that dominates trade on this planet. To whatever life form that may receive this, I extend an invitation to our world. Non-hostile and eager to establish contact with extraterrestrial races, Earth welcomes a visit from whomever receives this greeting. I myself call upon you to make contact, so that we may establish relations, open trade routes...
Brainiac turns away, disinterested. Then, the "friendly" greeting onscreen turns darker.
LEX (V.O.) ... and discuss any information you might have regarding a visitor to this planet of Kryptonian descent.
Brainiac snaps to attention, shocked recognition crossing his face.
BRAINIAC My days of scavenging are over, L-Ron. Lock onto this transmission and follow it to this Earth his speaks of.
L-RON What for?
BRAINIAC Jor-El's most accomplished creation, L-Ron -- the Eradicator still exists!
Brainiac's eyes glow with intrigue. L-Ron shrugs and begins entering coordinates. Lex's message continues onscreen.
LEX (V.O.) From one superior intellect to another -- whomever or whatever you may be -- I implore you to come to Earth, so that we might discuss the problem we call...
INT. TELEVISION STUDIO
A CLOSEUP of a stiff-looking TELE-JOURNALIST fills the screen.
HOST Superman -- friend to Earth, or hindrance? Tonight we take a closer look at the Man of Steel.
We're in a television studio. While the "Nightline"-like opening logos play, cameras whirl and reposition. Then:
HOST Does the existence of a seemingly god-like vigilante impact the world positively or negatively? Examining this with us tonight is LexCorp C.E.O. and Metropolis' second most well-known figure, Lex Luthor.
Seated across from the host, LEX LUTHOR winces at the introduction. Looking far more congenial than he did in his clip aboard the Skull Ship, Lex is in public persona.
HOST Mister Luthor -- you've been the most vocal proponent of the Wertham Act -- the bill that seeks to outlaw costumed vigilantes in the greater Metropolitan area. Given that Superman is the sole individual who could fall under this criteria, the question begs asking -- why so much distrust of 'the man of tomorrow'?
LEX I'm no enemy of Superman, Ted -- quite the contrary. I find his flair for fashion and whimsical abilities very... David Copperfield. Such a crowd-pleasing showman who makes Metropolis his home is a boon for the tourist trade. But I do question the good that Superman represents for the human race -- beyond entertainment value.
HOST Such as?
LEX Well -- aiding the planet at every turn against war, famine, natural disaster, for starters. It represents a complete freeze on the evolutionary process. And what of his more immediate effects on our society? Having Superman make his home in Metropolis is a veritable call-to-arms for any psychotic with dreams of world domination. The Wertham Act would be a deterrent to those who might consider jumping into a pair of tights and challenging the Man of Steel to a battle royale right here on the streets of our fair city.
HOST An interesting position, Mister Luthor -- but one that I'm sure your opposition will refute. We welcome city beat reporter for the Daily Planet, Lois Lane.
LOIS sits beside Lex -- beautiful yet poised... even though she looks thoroughly pissed.
LOIS This proposed act, which even Metropolis' own Governor Bree opposes, is nothing more than Lex's one-man crusade against Superman. Outlawing the Man of Steel, would be like removing the soul of this city. I mean, can anyone even remember what Metropolis was like before Superman arrived?
LEX As I recall, there were less red, white and yellow souvenir stands. Miss Lane -- have you ever been able to look past your blind allegiance to this off-worlder to think that maybe he employs criminals to improve his P.R.? For all we know, they're on his books.
LOIS In Salem, it was a witch-hunt, in Hollywood, it was the 'Red Scare'... Leave it to your fertile imagination to come up with 'Cape-Gate.'
LEX The vehement defense you put up for him, I'd say the only thing fertile around here is someone's hopes of carrying a super-brat one day.
LOIS That's it...
Lois jumps Lex, who tumbles back in his chair. She begins laying into him, as the Host LEANS INTO the FRAME, addressing the TV "audience."
HOST We'll be right back.
Fade to a commercial -- in an open field, a WOMAN spins a small boy in her arms:
V.O. Family -- it's the bottom line behind every decision she makes. Yours, or hers. In November, vote with your heart.
The chyron at the bottom of the screen reads 'Paid for by the Committee to Re-Elect Governor Bree', as the visual locks on the small BOY in her arms.
CUT TO:
EXT. HOB'S BAY STREET - DAY
The same small Boy, exits a BISTRO, holding the hand of this mother, GOVERNOR CAITLIN BREE. They are flanked by SECRET SERVICE MEN. PAPARAZZI and TELEJOURNALISTS (including Cat Grant) converge on them, snapping photos.
CAT Madam Governor -- how was the meal?
GOVERNOR Excellent. This Bistro represents the first major step in the revitalization of Metropolis' historic Hob's Bay.
CAT Do you think the redevelopment project can change the public's perception of this area as 'Suicide Slum'?
GOVERNOR If the meal was any indication, I'd say absolutely.
CAT (to the boy) How about it, Brodie -- what'd you think of the Bistro's food?
BOY It was the bestest p'sghetti I had in my whole life!
The Journos laugh. The Governor kisses her son's head and hugs him, then turns back to the cameras.
GOVERNOR I want Metropolitans to know that there is no danger in Hob's Bay.
Suddenly, across the street, the side of the building EXPLODES, raining debris on the crowd. The Governor covers her son.
Five crudely-masked THUGS pour from the hole in the building, opening fire, sending people running.
Then, from the still-smoking blast-hole, DEADSHOT emerges. Clad completely in silver and red, featureless (save for the glowing red gun sight covering his right eye).
The Secret Service Men covering the Governor draw their guns. Deadshot takes aim with his WRIST-REVOLVERS and shoots the pieces from their hands. The thugs clear a path for their leader.
The Governor looks up to see Deadshot standing over her.
GOVERNOR This city will not bow down to terrorism of any kind!
DEADSHOT Maybe not...
He drops the Governor and grabs the boy by his collar.
DEADSHOT ...but I'm sure you will. Won't you... | | | |