2004 Comic Book News Archives

Adventures of Superman #634

December 17, 2004: Matthew Clark Talks About Drawing Superman

"Adventures of Superman" artist Matthew Clark, spoke with The Pulse about his work on Superman now that he's been at it for some time. Here's an excerpt from the interview...

    Q: How do you get over the intimidation factor of staring at that blank white page and having to just get started on the drawing of such an iconic figure?

    A: I put myself in the best headspace I can. I don the Ipod and depending on the type of page will depend on the type of music. A fight page will be music with some crunch, Velvet Revolver or Chemical Brothers, Filter or Crystal Method. A quite heads talking page will be Sinatra or Martin, Sammy Davis or Tom Jones or a book on CD. A Funny page with Mxy will be the Simpson Soundtrack's. A heroic page with Superman, the soundtrack to Superman the movie or other heroic orchestral music, the guys at the studio have caught me humming the Superman theme on more than one occasion. My workspace at Mercury Studio has everything to make me feel comfortable to work, lots of toys, comic and art, model cars and reference. My space was the envoy of everyone for the past year now I've got David Hahn muscling in on the coolest space. I spend on average 15 hrs a day there including weekends. I don't work at home. I start with the page usually the hardest in the book and do that one first, then the rest get easier.

    Q: About how long did it take for you to feel comfortable working on the world of Superman?

    A: The world itself was the easiest to get comfortable with; the opening six pagers did that. I knew after drawing them how my approach to Metropolis would be and what real city I'd use as a template. Chicago has everything Metropolis has plus a kid growing up in Kansas wanting adventure in the big city would more than likely head to Chicago, plus I like the architecture. Superman took three issues just figure out my approach on him, and then three more to work out a stylization where the character started to seem natural. Now I concentrating on loosening up on the figures, my work is stiff in places something Eddie Berganza and I have been working on. Clark I knew from the get go, I knew exactly what he'd wear and look and walk, While Clark and Superman are the same person I draw the same body type. Clarks clothing is a lot of vertical line sweaters and shirt, verticals play a trick on the eyes and make things seem smaller. And the hairstyles are way different. Perry was easy. Jimmy was also, although I make him cooler than anyone, it was time. Figure he woke up one day and became tragically hip. More Kenneth Cole and GQ, less bow tie and nerdy. Can't have two nerds working in the same place.

    Q: You also told us before drawing the S was going to take you some time ... how quick can you draw the "S" now?

    A: I can whip it out in about a minute or two, just took some practice and time to figure out what I wanted it to look like, I mixed the classic "S" (the 2 fish theory) with a movie "S" and then made the shield bigger that anyone else drawing it... Love that big shield.

Read the entire interview at The Pulse website.



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