Interviews

Exclusive Brad Meltzer "Identity Crisis" Interview

[Date: January 25, 2005]

Superman Homepage writer Barry M. Freiman conducted the following interview with writer Brad Meltzer on the huge DC Comics hit "Identity Crisis"...

Identity Crisis #1 Q: Was Identity Crisis a story designed to introduce a sense of "maturity" into the Bronze age or be a good mystery story or both, and if so, how successful do you think you were inconveying those messages with the series?

A: Of course both, but let me clarify on the word "maturity." To me, Identity Crisis was a tragedy first and foremost. It's not singularly about "realism" or "maturity" -- it's about the hero's life and the costs of it. One of the key lines for me was what Ollie says about Batman in the end of issue 7: "Bruce knows what he wants to know, and more than any of us, he also knows that you should never underestimate what someone will do for the people they love." It is one of the most vital lines in there, not just as it drives at Batman, but as it takes on the themes of the entire series. Look at it in the context of every relationship in the series, from Green Arrow, to the League, to Boomerang, to the Drakes, to Clark, to Ray and Jean, etc, etc. To say that if I examine those relationships, I'm therefore a certain kind of book, and thus, no longer a mystery... Well, that just turns the entire genre into a trap. For me, Identity Crisis was an examination of that heroiclife, in the obvious context of a mystery. I just wanted to use the genre to examine deeper issues.

Q: Why does Jean Loring know every heroes' secret identity, and most especially why does she know the secret identity of the third Robin when she andRay had split up long before Tim assumed the Robin mantle? (Inparticular, the issue of Tim's secret identity being a secret even from other heroeshas been addressed in Teen Titans and Robin)

A: You mean besides the fact she spent hours at a funeral with every hero in the DC Universe, including her ex-husband, who all trusted her and would talk openly around her?

Q: Presumably the ultimate parentage of Captain Boomerang's son will be determined in the pages of The Flash, but were you ever tempted to address that issue in Identity Crisis and tie it into the motive for the murders and possibly a different identity for the killer?

A: Nope. It was always Jean. It never changed from Jean. And in my mind, makinganyone else the killer(Boomerang couldn't pull it off, neither could Jack Drake) would ignore the overall themes of the series.

Q: In Super Team Family #11-14 (1977), in what is arguably the first DCU crossover event, Jean Loring goes crazy and some, myself included, noted that she therefore had a history of mental illness. How did this factor into your tagging her as the killer?

A: Obviously, it was in the back of my head (no pun intended), but to be honest, I don't think she's "crazy" when she kills Sue. That's an accident. She's crazy in issue 7 when she can't accept what she's done and slides away from her own self-created reality. In the end, I didn't want that knowledge of her past to be something that had to be known by the reader. I wanted it to be something that added a layer for those who did know, but simply not matter to those who didn't.

Q: How do you respond to those who say - and what do you say to those who say - that ultimately Identity Crisis was about the death of two secondary characters at the hands of another secondary character, that heroes seemingly changed forever by the series are largely tertiary characters like Firehawk, Black Lightning, and Katana?

A: I'd say that's an opinion that ignores what we did to Batman, Superman, and the entire League. And being completely honest, Firehawk, Black Lightning and Katana are only secondary characters because they're treated that way. My goal was to treat even those characters with as much attention as the big three.



Brad Meltzer's new novel The Zero Game will be published in paperback early February, while Jack & Bobby, the TV show he co-created returns Wednesday January 26th on the WB.



This interview is Copyright © 2005 by Steve Younis. It is not to be reproduced in part or as a whole without the express permission of the author.


Interviews

Introduction

The Superman Homepage has had the pleasure of interviewing various Superman Comic Book creative people about their work.

Question and Answer Interviews:

Interviews/Articles:

Krypton Club Interviews:

Lois When “Lois & Clark” started production in 1993, there was an obvious relationship between the comic book people and the Hollywood people.

A trade paperback “Lois and Clark: The New Adventures of Superman”, was published, with Dean Cain and Teri Hatcher on the cover. It included reprints of comic book stories that were the inspiration for “Lois & Clark”, helping to define the characters. Comic's included are: The Story of the Century (Man of Steel miniseries #2), Tears for Titano (Superman Annual #1), Metropolis - 900 mi (in SUP #9), The Name Game (SUP #11), Lois Lane (in ACT #600), Headhunter (AOS #445), Homeless for the Holidays (AOS #462), The Limits of Power (AOS #466), and Survival (ACT #665).

A number of comic book writers and artists had roles as extras in the episode “I'm Looking Through You” (Season one, episode 4). Their presence was immortilized in the Sky Trading Card #34.

Craig Byrne, president of the online “Lois & Clark” fanclub The Krypton Club, carried out a series of interviews with comic book writers. The interviews are reprinted with permission of the Krypton Club.

Check the Television section of this website for some “Lois & Clark” Interviews conducted by The Krypton Club.