_________________________________________________________________ T H E K R Y P T O N I A N C Y B E R N E T Issue #17 Ñ September 1995 _________________________________________________________________ CONTENTS ÑÑÑÑ Section 1: Superscripts: Notes from the Editor The Delay, News and Notes Now These Are ÒActionÓ Figures! HereÕs the scoop on KennerÕs new line of Superman toys! Dark Judgement A review of the DC Villains I card set, by David T. Chappell & Mark Billian Section 2: The Fleischer Cartoons Episode #11: ÒShowdownÓ, by Neil Ottenstein Just the FAQs What are the different varieties of Kryptonite, by David T. Chappell And Who Disguised As... A Brief Attack on LOIS AND CLARK, and Then a Quick Stroll Around the Book, by J.D. Rummel Section 3: Reviews: The ÒTriangleÓ Titles Action Comics #714, by William J Nixon Superman: The Man of Steel #49, by Arthur LaMarche Superman #105, by Ken McKee Adventures of Superman #528, by Anatole Wilson Superman: The Man of Tomorrow #2, by ReneÕ Gobeyn Section 4: Reviews: Annuals and Other Super-Titles Superboy #20, by Victor Chan Steel #20, by Dick Sidbury Showcase Ô95 #9, by ReneÕ Gobeyn The New Titans #126, by ReneÕ Gobeyn Other Appearances ShadowDragon Annual #1, by ReneÕ Gobeyn Green Arrow #101, by ReneÕ Gobeyn Section 5: Looking Back: Legacies Justice League America #137 and Superman vs. Shazam! by Joe Crowe The Silver Age Superman Superman on Krypton: Part 5, by Bill Morse Classifieds Section 6: The Red Hour: FOLCfest Ô95 Highlights of the recent on-the-set gathering of Lois and Clark fans, by Zoomway Coming Attractions New comics shipping in November, including the finale of ÒThe Trial of Superman!Ó EDITORIAL STAFF: ÑÑÑÑÑÑÑ- Jeffery D. Sykes, Editor-in-chief Arthur E. LaMarche, Reviews LEGAL DISCLAIMERS: ÑÑÑÑÑÑÑÑ- Superman and all related characters, locations, and events are copyright and trademark DC Comics. Use of the aforementioned is not intended to challenge said ownership. We strongly suggest that each reader look to the media sources mentioned within for further infor- mation. Opinions presented within this issue belong to the authors of the articles which contain them. They should in no way be construed as those of any other particular member of the editorial or contributing staff, unless otherwise indicated. This magazine should be distributed freely via e-mail. Should you desire to share this publication with other on-line services, please contact me at sykes@ms.uky.edu for permission. Feel free to advertise subscription information on other on-line services which have internet mail availability. THE KRYPTONIAN CYBERNET is available by e-mail Ñ to subscribe, send the commands subscribe kc
end in the body of an e-mail message to Òlists@phoenix.creighton.eduÓ (without the quotation marks). Replace the
field with your INTERNET e-mail address. The program ignores the subject line of the message. Back issues are available via ftp at acm-ftp.creighton.edu. _________________________________________________________________ SUPERSCRIPTS: Notes from the Editor ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ THE DELAY: I begin this monthÕs (almost next monthÕs) issue with an apology. I sincerely hope that you can each find it in your hearts to forgive me for how late this issue is arriving in your mailbox. In hopes that you can understand how this delay came about, I would like to take a few moments of your time by stepping through the past month. To begin with, the first weekend in September was a holiday weekend Ñ Labor Day. As such, I decided to delay the issue one week so that our writers would not have to write over the holiday. Not a real problem. However, over that same weekend, I began moving into my new apartment. Let me make this short and to the point by pointing out that I am still not completely Òmoved inÓ yet. Because of electrical outlet and telephone jack arrangements in the new place, I found that there was really only one place I could set up my computer. This would have been no problem, except that when I began to set things up, I discovered that all of the outlets which I could reasonably use were not working! Like a good tenant, I contacted the landlord and informed them of the problem, and the work order went out. Two weeks later (now around the 16th), maintenance finally gets around to making the repair, and the computer is up! Unfortunately, IÕm now four weeks into school, and my studentsÕ first exam is three days away! (Not to mention the fact that I had to take my own exam a day or two later...) So last week was dedicated to school. Finally, last weekend arrives, and I have the time to prepare the new issue. And the system which houses the mailing list shuts down to move to another machine. Two days ago (Wednesday), I finally receive word that the list is running again, but I canÕt seem to get the list to mail anything. (By this point, IÕve been trying to mail a message about the delay since Monday.) And then last night, I *finally* managed to figure out a change on my end which allowed the program to work. Which brings us to today. Reasonable people that you are, I imagine that you can understand that the delay this month was pretty much unavoidable. Now that the hardware problems are fixed, I donÕt think we should have any more problems of this nature in the near future. Once again, I apologize for the lateness of the issue, and I hope that the delay wonÕt hamper your enjoyment of the new issue. NEWS AND NOTES: LOIS AND CLARKÕS THIRD SEASON! A few more announcements this month. Now that new episodes of Lois and Clark have begun airing in the US, our section of the magazine dedicated to the show is set to return in next monthÕs issue, featuring reactions to the few new episodes which have already aired. HereÕs a list of the first 5 episodes of the season (kudos to TPTB for finally airing the episode titles!): 1. We Have A Lot To Talk About (Sept. 17) Lois answers ClarkÕs proposal, and somebody knows Clark KentÕs secret identity! 2. Ordinary People (Sept. 24) Lois and Clark go on vacation, only to be hounded by villain David Leisure. 3. Contact (Oct. 1) Lois is abducted by aliens!? 4. When Irish Eyes Are Killing (Oct. 15) Will the Druids sacrifice Lois? 5. Just Say Noah (Oct. 22) Relationship Therapy Note that titles and airdates of unaired episodes are subject to change. SUPERMAN: THE ANIMATED SERIES New word on the Superman Animated Series is that the creative team expects to kick off the series next fall with a one-hour prime-time special, followed by 13 Saturday morning half-hour episodes. In the Fall of 1997, the series will switch to weekday afternoons, and you can expect the introduction of Supergirl at that time! So far, there has been no casting. SUPERMAN REBORN According to Andy MangelsÕ ÒHollywood HeroesÓ feature in OVERSTREETÕS FAN #5, Warner BrothersÕ planned feature film, SUPERMAN REBORN, finally has a screenwriter in Jonathan Lemkin. SUPERMAN DAILIES Reprints of the entire run of the Superman comic strip are in the works. The first volume is tentatively scheduled for release in 1996. SHADOWDRAGON You comic fans of the Shadowdragon character introduced just before ÒThe Death of Clark KentÓ and recently spotlighted in DCÕs SHADOWDRAGON ANNUAL #1 (See this monthÕs reviews for info on this book) have something to look forward to. A ShadowDragon miniseries, spinning off from the heroÕs appearances in Superman comics, is slated for early 1996... DC VS MARVEL/MARVEL VS DC Finally, DC and MARVEL have recently announced a four part crossover series beginning in December which will pit most of DCÕs Universe against most of MarvelÕs. Of particular interest to Superman fans are the following match-ups: Superman vs. The Hulk! Superboy vs. Spider-Man! Steel vs. Iron Man! Lex Luthor vs. Kingpin! and many more! In addition to the four part series, the event will spawn a Òconsumer previewÓ in November, two retail posters, and two SkyBox/Fleer trading card sets. And get this. FANS will determine the outcome of five of the biggest match-ups! Dan Jurgens and Josef Rubinstein, longtime creators on the Superman line of comics, will be one of the two art teams on the miniseries. WeÕll provide you with more complete info on this comics extravaganza in next monthÕs issue. (Or you can check out the COMING ATTRACTIONS section of the KC homepage next week for a sneak peek!) On a final note, since there wasnÕt much to update this month, IÕll hold off on the resources update until next month. Also, there wasnÕt much mail which could still be considered timely, so IÕm dumping the mailbag this month as well. These will both return next month! Until next month (which is actually going to be much shorter than four weeks away! :) ), enjoy the new issue! Jeff Sykes Editor, The Kryptonian Cybernet _________________________________________________________________ NOW THESE ARE ÒACTIONÓ FIGURES! ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ- Over the past few months, weÕve been telling you thereÕs a line of Superman toys on the horizon. Finally, weÕre able to provide details! The September issue of PREVIEWS contains information (along with a few pictures) about the new line. KennerÕs new Superman Toyline hits toy stores this December. (PREVIEWS was unclear on this release date, providing conflicting information, but KC reader Cory Avery contacted Kenner directly to confirm the December release.) The first wave of figures, based on the comic books, will consist of ten all new figures, three CollectorÕs Edition two-figure packs, and two vehicles! THE ACTION FIGURES Each figure features articulation at the neck, shoulders, hips, and waist, and comes packed with a free collectorÕs card. The ten figures offered in this first wave: 1. Metropolis Superman This is the ÒbasicÓ Superman, with snap-action arms and capture chain. 2. Recovery-Suit Superman All-black suit with silver ÒSÓ and missile launcher. 3. Superboy Dressed in leather jacket, with two spring-loaded Òtactile kineticÓ missiles. 4. Steel Armored from head-to-toe, removable cape, and hammer-swinging action (when legs are squeezed together). 5. Conduit With extending wrist cables from both arms, spinning right arm, removable wrist gauntlets and helmet. 6. Solar Suit Superman Golden suit with backpack launcher and one projectile, and two glider wings. 7. Exo-Skeleton Superman Comes with five pieces of armor, projectile launcher, one shield/ projectile, removable clear helmet. 8. Metallo Cyborg enemy with skull-like head, ÒglowingÓ Kryptonite heart, opening Kryptonite claw, and pivoting shoulder guns. 9. Trench Coat Superman ÒBikerÓ look with trenchcoat, and chain-swinging action (when legs are squeezed together). 10. Lex Luthor Dressed in black t-shirt and fatigue pants, comes with water-squirting drone droid with wings. Just to head off the inevitable question, the two figures shown in the pictures indicate that Kenner has gone with the long-haired Man of Steel. THE TWO-PACKS Kenner also offers three sets of dynamic two-packs, each featuring a Superman figure which is unique to these sets as well as an all-new villain figure. Both are sculpted in Òblown-outÓ battle poses, much like the ÒLegends of the BatmanÓ figures. Each two-pack also comes with an exclusive mini-comic, detailing the back-story of the characters. Available will be: 1. Hunter/Prey Superman Vs. Doomsday 2. Battle Damage Superman Vs. Massacre 3. Masked Superman meets Batman THE VEHICLES In addition to the figures, Kenner also offers two vehicles. 1. Superboy Cycle Vehicle This cycle transforms from a flashy, powerful street bike to a jet-powered VTOL! The rear cycle wheels rotate out to become Òjet thrusters.Ó Cycle features missile launcher with tethered capture claw missile to capture and transport villains. Seats one figure; seat harness features oxygen mask for extended Òspace travel.Ó 2. Superman Transformation Vehicle What appears to be a sleek, stylish stealth vehicle allows Clark Kent to change into Superman. By pulling back the ÒSÓ shield spoiler, the Clark Kent figure (included) inside the cockpit is Òmagically transformedÓ into Superman (not included). During this change, glide wings rotate out of the chassis, exposing two Superman logos. The vehicle also features a disk launcher hidden under the rear spoiler, which can be fired in either mode! FUTURE TOYS The above is what has been officially announced to date, but there have been rumors that future waves of the Superman toys will include a line based on ABCÕs LOIS AND CLARK and a line based on the WB networkÕs upcoming Superman Animated Series which is set to debut in the fall of 1996. As for these, weÕll just have to wait and see. In the meantime, isnÕt it time to start making out those Christmas lists!? :) Jeff Sykes _________________________________________________________________ DARK JUDGMENT A Review of the DC Villains I Card Set by David T. Chappell & Mark Billian OVERVIEW The latest set of trading cards featuring DC characters is a bit different from the norm. Rather than showcasing DCÕs most popular super-heroes, it focuses on the nastiest villains. It is a set of painted, standard size cards produced by SkyBox. Packs of the cards are in stores as of this writing (mid-September 1995), and their release was timed to coincide with the beginning of DCÕs latest major cross-over event: UNDERWORLD UNLEASHED. CARD CONTENTS The ÒDark JudgmentÓ series includes a basic 90 card set and several inserts. The 90 basic cards include one ÒtitleÓ card introducing the set, one checklist card, 87 cards featuring major DC villains, and one card with the Ò(unknown)Ó villain behind UNDERWORLD UNLEASHED. All cards from the basic set include foil titles and a painted picture on the front. The reverse has a ÒcreepyÓ design and descriptive text. Both sides have UV coating. INSERTS In addition to the basic card set, three sets of special inserts cards are part of the collection. The most common inserts are the spectra-etch Gathering of Evil cards. These nine foil cards fit together to form a puzzle featuring Darkseid, Mongul, and Doomsday. Furthermore, three foil-embossed Villains Attack cards feature famous battles including the Death of Superman. The rarest insert is a SkyMotion card featuring Two-Face. CARD TEXT The text on the cards is by Roger Stern, writer of the SUPERMAN: THE MAN OF TOMORROW quarterly comic and author of the text for the 1994 Superman: The Man of Steel card series. The text is written from the perspective of Neron, the major villain from the ongoing UNDERWORLD UNLEASHED cross-over. The text reveals the demonÕs consideration of how each of the major DC villains could fit into his eventual plans for this yearÕs major DC event. Furthermore, a special encoded message reveals NeronÕs identity. Since he has been mentioned by name in several comic-book magazines, I do not hesitate to reveal his name herein, but puzzle fans might not want to read the end of this article where I reveal the final message. I am pleased that Roger Stern did a good job integrating the message into the cards without making the result seem forced in any way. THE ARTWORK Each card features new painted artwork with various designs according to the artistsÕ styles. Going along with the series theme, the styles tend to emphasize the dark and twisted side of villains. The results vary from traditional to warped. The differences in style are great enough that, in my opinion, the artwork ranges from poor to high quality. I suspect that some fans will dislike the setÕs art while others will love it. The various artists are Thom Ang, D. Alexander Gregory, Mark Chiarello, Simon Bisley, Bill Sienkiewicz, Stu Suchit, Simon Erich, Mike Cavallaro, Scott Hampton, Kent Williams, Tony Harris, and Joe DeVito. SUPERMAN VILLAINS A large number of Superman villains are featured in the set. The brief descriptions of the characters are a great boon to any new Superman fan who is not familiar with the villains and their backgrounds. Even old-time Superman fans will appreciate some bits of the text, such as the subtle hint about the imminent return of Doomsday. Of special, though trivial, note is that the front of the Mxyzptlk card contains the misspelling ÒMxyzptikÓ (ÔiÕ replacing ÔlÕ). 14. Metallo 70. Silver Banshee 18. The Parasite 81. Lex Luthor 20. Toyman 85. Brainiac 25. Cyborg 86. Mongul 37. Bizarro 87. Darkseid 54. Mr. Mxyzptlk 88. Doomsday SUPERBOY VILLAINS Even some relatively new villains are included in the set. Two of SuperboyÕs foes each earn as much card space as some of SupermanÕs old rivals. 33. Knockout 52. King Shark SECRET MESSAGE ÒThere are many names by which I am known, and I shall shake the universe to its very foundations. Call me Neron.Ó MORE VILLAINS YET TO COME Even as the current DC Villains cards have set the stage for UNDERWORLD UNLEASHED, a second collection will follow on the heels of this yearÕs big cross-over event. The DC Villains II: Underworld set will also feature some of the most devious demons of the DC Universe, and it may show us how NeronÕs interventions have changed some of them forever. _________________________________________________________________ THE FLEISCHER CARTOONS: ÑÑÑÑÑÑÑÑÑÑÑ by Neil A. Ottenstein Episode 11: ÒShowdownÓ Released: 10-16-42 Running Time: 8:14 minutes Faster than a streak of lightning More powerful than the pounding surf Mightier than a roaring hurricane We see someone opening a safe with what appears to be Superman standing behind him. Once it is open, ÒSupermanÓ knocks him out. The scene changes to a cashier counting money. This time ÒSupermanÓ takes the money. The scene shifts to a jewelry store. ÒSupermanÓ breaks in and takes jewels. This ÒSupermanÓ brings the proceeds to the Boss. The newspaper headlines scream with alarm: The Bulletin - ÒSuperman Commits Series of Crimes.Ó The Morning Star - ÒDragnet Spread for Superman.Ó The Daily Planet - ÒFriend Turns Foe.Ó Lois is holding a copy of The Daily Planet and declares, ÒthatÕs ridiculous.Ó A lowly Planet employee throws some opera tickets to Lois and Clark. Their next assignment is to cover the opera and ÒitÕs formal.Ó ClarkÕs fingering his collar of his suit helps segue the scene to him fingering the color of his tux at the opera. The Superman thief creeps into the opera and steals jewelry from people in the boxes. Lois is the first to cry out as her necklace is taken. She gets up and tussles with the thief. Clark wakes up from his opera snooze and goes into the hallway to see Lois holding the ÒSÓ emblem and declaring, Òit IS Superman.Ó As Lois goes to make a phone call, we then see the thief on the roof of the opera house. Clark sees him there and declares, Ò... my double is in for some trouble.Ó The Superman music is played as he changes behind the door to the roof. The thief looks down to the ground and to his shock sees police cars that have now arrived. He opens the door and is face to face with the real Superman. The thief shoots at Superman. Superman advances. The thief trembles as the bullets run out in his gun. He throws the gun at Superman. The thief tries to cast the blame away from himself to the Boss saying, ÒHe made me do it... IÕll talk.Ó Backing away from Superman he falls off the roof. Superman saves the thief and carries him into the air. Lois sees them and says, ÒI knew there was more to this story.Ó Lois joins the police in their car as they race off. Superman and the thief enter the BossÕ lair. He asks, ÒWell, did you enjoy the opera?Ó Only silence answers him. He continues to ask questions and grows more impatient. He asks, ÒAre you trying to double-cross me?Ó and swings a golf club at Superman. He then lifts a lamp to swing that at him and then realizes just who he is facing and stops in shock. Just in case it hadnÕt sunk in, the thief tells him, ÒThatÕs Mr. Superman.Ó The Boss open a trap door beneath Superman. Superman falls down a shaft towards a watery doom. The Boss and the thief move the desk above the trap door and start putting their jewels away. Superman ascends the shaft and batters away at the trap door. They escape behind a descending door just after Superman has come through. When Superman tries to follow he discovers the door is electrified. This surprises him for a moment and then he tries again and pulls it away. The two of them get their jewels away after closing an armored door between themselves and Superman. They escape in a car. Superman breaks through and is in pursuit. The thieves are driving on a narrow road and coming along the other way is the police car with Lois Lane. There wonÕt be room enough for both cars. Superman lands in between the two cars and pulls out the Boss and the fake Superman who tells the Boss, ÒNext time you can be Superman.Ó The scene shift back to the Daily Planet where Clark is dozing. Lois enters and tells of her great story. They banter and Clark says he was dreaming about being Superman. This was quite an action packed thriller with a touch of mystery. Until the thief first enters the BossÕ lair, he looks very much like Superman, thus giving credence to the newspaper headlines. The opening title has a shadow of a hand holding a gun going up and down. The opening phrases are now in their final incarnation in this series. There is a good amount of humor in places. One good bit is when Superman is trying to break through the trap door with the desk on top of it. The thief tries a few times to place the lamp on the shaking desk only to just place it on the floor. The banter between Lois and Clark at the end of the cartoon is quite fun. Note that when the thief throw the gun at Superman, Superman does not duck. This is in contrast to the live action TV show when George Reeves does duck so that he doesnÕt get hurt by the gun. Another interesting bit is that we only see Clark starting to change into Superman as he closes the door to the roof. As opposed to most changes where we see his shadow changing. It is yet again another masterful cartoon in the series with high quality scripting and animation. The two Fleischer Superman cartoon volumes are available directly from Bosko Video or from anyone who carries high quality animation. A catalog is available from Bosko Video 3802 East Cudahy Ave. Cudahy WI 53110-1234 _________________________________________________________________ JUST THE FAQs More Details about Frequently-Asked Questions about the Man of Steel by David T. Chappell Although this column typically focuses on the post-Crisis version of the Man of Tomorrow, this issue will cover a common question that is most often reference to pre-Crisis days. Next month, IÕll cover another pre- & post-Crisis topic when I discuss the five (!) incarnations of Supergirl over the years. If confusion over all this ÒCrisisÓ discussion is giving you your own crisis, you may want to check out questions 12-14 from my Superman FAQ, which is available at ftp://ftp.hiof.no/pub/Comics/FAQ/Superman.FAQ. When you are ready to handle the differences between the pre-Crisis and modern universes, you can read this article and find out ÒWhat are the different varieties of Kryptonite?Ó INTRODUCTION Kryptonite is the one weakness of the Man of Steel. While some might say that magic is his other vulnerability or that a red sun is just as bad, these ÒweaknessesÓ only make Superman no stronger than a normal man. In contrast, Kryptonite actually hurts Superman and can turn the Man of Steel into a Man of Jell-O. A normal man with a pocketful of Kryptonite can beat up Clark Kent as easily as Kal-El can handle an ordinary bank robber. THE BASICS Surviving fragments of SupermanÕs home world of Krypton are known as Kryptonite. Thus, Kryptonite is essentially debris from an exploded world. It is a stable radioactive substance that is dangerous to survivors of the explosion of the planet Krypton. There is no relationship between Kryptonite and the chemical element krypton, though SupermanÕs home world was probably named after the element or from the same Greek work meaning Òhidden.Ó A RAINBOW OF ROCKS Over the years, especially in the Silver Age, the lore of (the pre-Crisis) Krypton grew considerably. Similarly, the details of Kryptonite became more and more elaborate over the years. Rather than go into details on the properties of the material, I will merely present a summary of its effects. Stories also introduced more than just your garden variety Kryptonite. The many variations are sometimes explained as being various isotopes of the same element. The list below recounts the effects of each of the known types of Kryptonite. Green Kryptonite: The most common isotope of Kryptonite neutralizes the powers of Kryptonians and causes blood poisoning. It affects only super-powered Kryptonians, causing temporary power loss, intense pain, and death within seven to thirty minutes. Green-K has no effect at all on non-powered Kryptonians or Terrans. Anti-Kryptonite: This is the type of Kryptonite that threatened Argo City, home of Supergirl. Anti-K is similar to green-K and even shares its green color, but it affects only non-powered Kryptonians. X-Kryptonite: This form of green Kryptonite was accidentally created by Supergirl in an experiment. It has no effect on Kryptonians but temporarily endows humans with temporary Kryptonian super powers. It was through X-K that SupergirlÕs cat Streaky obtained super powers. Slow-Kryptonite: This form of green Kryptonite was created by an Earth scientist in another experiment. It is one of the few types of Kryptonite that affects Terrans as well as Kryptonians. Red Kryptonite: Red-K was formed when a quantity of green-K passed through a mysterious cloud of red gas. It causes a bizarre and unpredictable effect on Kryptonians which lasts 24-48 hours. Once the effect has worn off, that person will no longer be affected by that particular piece of red-K again, although the piece will have an identical effect on any other Kryptonian who is exposed to it. No two pieces of red-K cause the same effect. Red-K was a favorite plot device for Superman books for many years. Some strange effect from red-K would inconvenience the Man of Steel for a day or two. Some of the past effects were to turn Kryptonians into giant ants, dragons, or giants; induce lunacy or amnesia; or to split a Kryptonian into two beings. As silly as some of these effects are, they account for many of the classic stories from pre-Crisis days. Gold Kryptonite: Gold-K was formed from debris of the Gold Volcano on Krypton. It is probably the most dangerous form of Kryptonite since it will permanently strip a super-powered Kryptonian of his powers upon a few moments exposure. White Kryptonite: White-K affects only plant life, but it will affect even Terrestrial plans. It kills any plant and induces decay immediately upon exposure, with a range of about 25 yards. Blue Kryptonite: Blue-K is not natural but was created by Superman using the same flawed Duplicator Ray that created Bizarro on a piece of green-K. It affects Bizarros exactly as green-K affects Superman but has no effect on any other life-form. Jewel Kryptonite: Jewel-K was created from crystals within KryptonÕs Jewel Mountain range. It differs from other forms of Kryptonite because a Phantom Zone villain traveled back in time and transformed crystals to give the resulting Kryptonite desired properties. Jewel Kryptonite is not radioactive, but it instead serves as an amplifier that allows those imprisoned in the Phantom Zone to exert limited telepathic influence outside of the Zone. The Phantom Zoners could concentrate their mental energies to create small illusions or mentally control people outside of the Phantom Zone. Silver Kryptonite: Silver-K is a fake variety of Kryptonite that SupermanÕs friends used to keep the Man of Steel from closely examining what turned out to be a silver (25th) anniversary gift from his friends. Yellow Kryptonite: Yellow-K is a fake variety of Kryptonite that was used by Lex Luthor to fool Superman. However, Luthor was actually interacting with a Superman robot which was ordered to react to Kryptonite as if it were the real Kal-El. THE REVISION In comic books, it was originally accepted that the remains of Krypton would be harmful to survivors of the deadly explosion. The merest amount of logic, however, reveals the silliness of this proposition. If Earth were to explode tomorrow, would chunks of our home planet be somehow dangerous to any astronauts trapped in the Space Shuttle? When John Byrne revamped Superman in 1986, he provided a logical explanation and eliminated the seemingly infinite varieties and sources of Kryptonite. In the last days of Krypton, according to the modern story, a chain reaction with the planetÕs core caused a build-up of enormous pressures. These pressures fused the minerals inside Krypton into a new, radioactive metal. Furthermore, the pressure grew to be too much for the planetÕs mantle to contain, and Krypton exploded in a violent eruption. The green color of the resulting Kryptonite is its best-known feature. Even if the planet Krypton had not exploded, the radiation from the Kryptonite would have eventually killed all the inhabitants in what the Kryptonians called the Green Death. Though the radiation from Kryptonite is harmful to all life, it is especially harmful to Kryptonians (notably Superman). Short-range exposure to Kryptonite reduces SupermanÕs powers to about half strength after merely ninety seconds and renders him powerless within about two minutes. Superman can quickly recover from such short-term exposure when he leaves the proximity of the Kryptonite, and he can recover fully within several days. Prolonged exposure to the k-radiation could theoretically cause permanent harm or even be fatal. The main source of Kryptonite on Earth is a rock that was attached to the rocket ship that brought Superman to Earth. This original rock powered Metallo (SUPERMAN #1, Jan 87) and has since been fashioned into at least two forms. Part of it became the jewel in Lex LuthorÕs Kryptonite ring. Although the ring successfully kept Superman at bay for many months, its radiation induced a cancer that led to the loss of LuthorÕs hand and nearly to his death. Superman later gave the ring to Batman in case someone ever needed to use it against the Man of Steel. In addition, some Kryptonite bullets were stored in a lead container in the Fortress of Solitude. Although the only form of true Kryptonite in modern continuity is Ògreen-K,Ó other forms have made brief appearances. The Pocket Universe (PU) had the same varieties as the pre-Crisis universe. A Òrainbow packÓ appeared in the famous Superboy-LSH story that introduced the PU and showed that the PU Kryptonite had no effect on the real Superman (ACTION #591, Aug 87). Later, green and gold-K from the PU played an important role in the Supergirl Saga and helped form SupermanÕs code against killing (SUPERMAN #22, Oct 88). Of perhaps even greater fame is the red Kryptonite from the ÒKrisis of the Krimson KryptoniteÓ story line. When occupied in another dimension, the mischievous Mr. Mxyzptlk created some fake red Kryptonite which he gave to Lex Luthor (SUPERMAN #49, Nov 90). Through MxyÕs magic, the rock removed all of SupermanÕs powers until Luthor told Superman (who was in the guise of Kent) about the source of the magic. ClarkÕs exposure to a bout of mortality may have helped induce his marriage proposal to Lois Lane during the ÒKrisis.Ó CONCLUSION While undoubtedly created as a plot device to steal SupermanÕs powers, Kryptonite has become an integral part of the legend of the Man of Steel. Some of the silliestÑand the most memorableÑstories focus on the effects of a piece of Kryptonite. Most importantly, the presence of Kryptonite forces a situation where a normal human is more powerful than Superman and can even save the KryptonianÕs life by merely tossing a rock aside for him. _________________________________________________________________ And Who Disguised As... ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ A Column of Opinion by J.D. Rummel (rummel@phoenix.creighton.edu) ÒA Brief Attack on LOIS AND CLARK, and Then a Quick Stroll Around the BookÓ YÕknow, I love Superman. I guess thatÕs why I keep wanting what I want even when my brain remembers how the world works. ItÕs just one of those heart things, and isnÕt that what LOIS AND CLARK is aboutÑthe longings of the heart? Lately IÕve been reading the reviews of L&C in this mag and feeling hopeful. Last week I tuned in to see the episode where red kryptonite is introduced. I enjoyed it, thought they did a good job, and was generally pleased at the development of all concerned. It wasnÕt PICKET FENCES, but it was better than FULL HOUSE. Last night I saw the much discussed season finale. I enjoyed the humor, I liked the principals, I really wish IÕd liked the whole thing. I *wanted* to like it. It had Superman in it, so I wanted to see that my misgivings about the show were no longer valid. But I didnÕt. The show still displayed the sort of foolishness in the plot resolution department that makes the original Adventures of Superman so amusing. While some progress in telling Superman stories on T.V. has been made in forty years, there is still a long way to go. *sigh* Anyway... There used to be this department store in downtown Omaha called Brandeis. It was a sprawling place of smoke-stained grey stone. It had an appliance floor, a toy floor, a menÕs clothing floor, and at Christmas they would build SantaÕs North Pole on the top floor. But what I am concerned with here is the basement. In the basement they had a book section. There I bought many DARK SHADOWS books, some truly awful Perry Rhodan adventures, just a lot of books. I would hang out there while my mother shopped elsewhere in the building. In the hardback section I, or rather my mother, purchased: SUPERMAN: FROM THE 30ÕS TO THE 70ÕS. The cover features The Man of Steel, arms akimbo, smiling, as panels drawn by Joe Shuster fill the background. I thrilled to the pages of early artwork, the first startling appearance of a hairy- headed Luthor, and was glad for every panel that I had never seen before. I felt the rush that only sudden wealth can bring. This book contained lots of stories that I HAD NEVER SEEN BEFORE. I knew that I had something that connected me even more closely than before with my hero. It was like finding some lost chapters of the Bible. All of those memories came back to me as I opened it at the kitchen table. My eyes recognized a small chocolate stain on the pages, a skidmark of candy left as I ate ice cream and read the book over and over again in that small house so long ago. Looking it over I lost track of the passage of time as I became fascinated by how much time had passed. Published in 1971, FROM offers a wonderful sampling of Kal-ElÕs first thirty years of fantastic adventures. Larger than THE GREATEST SUPERMAN STORIES EVER TOLD, it had twenty less years to cover and it really hit some high spots. It has Batman, Bizarros, the Fortress, Red Kryptonite, Mxyzptlk, Prankster, Lori Lemaris, Titano, Supergirl, Krypto, Superboy, the first Imaginary Story and Superman beating an analog of the Nazis at the Olympics. If you want to see the evolution of a character, if you want see America, this is a good place to start. It is mostly black and white, with only a few colored segments. In some sections it shows a selection of covers. (IÕd love to have a bitmap of Superman #18ÑSupes riding a blockbuster bomb through the clouds, as allied planes fill the sky behind himÑWow!) The introduction by the late E. Nelson Bridwell displays his encyclopedic knowledge of Superman (Kryptonite was originally red?!) as well as his deep affection for the character. It is a pity that the tales represented do not give credit to the talent that rendered these pages. Although Shuster, Swan, and Boring are easily identifiable, the artists and writers go uncredited until the section highlighting the seventies. It would be nice to see something like SUPERMAN: FROM THE 70ÕS TO THE MILLENNIUM, but I doubt thatÕs in the planning stages. This book is a marvelous collection. If you run across it at a garage sale or used bookstore, buy it. ItÕs cheaper than the original comics and is a superb read on an afternoon when the real world is too important. Away. _________________________________________________________________ REVIEWS ÑÑÑ- Ratings Panelists: AL: Art LaMarche JS: Jeff Sykes RG: Rene Gobeyn AW: Anatole Wilson KM: Ken McKee VC: Victor Chan DS: Dick Sidbury WN: William J Nixon As always, the first rating given after the average is that of the reviewer. THE ÒTRIANGLEÓ TITLES: ÑÑÑÑÑÑÑÑÑÑ- 37. ACTION COMICS #714, ÒCrossing the [Punch] Line!Ó Writer: David Michelinie Artists: Kieron Dwyer and Denis Rodier $1.95 US/$2.75 CAN/#1.25 UK RATINGS: Average: 3.2/5.0 Shields WN: 4.0 Shields - Strong single issue tale of toys, kids; and villains who donÕt get their royalties. AL: 3.5 Shields - I like the way the Joker used the lead lined container for his benefit instead of his undoing as in SUPERMAN #9. Where can I get a Fluff? They are SO cute! AW: 2.0 Shields - IÕve read the same story (Joker threatens toymaker) too many times before. And threatening a crowd at a paradeÑdidnÕt Michelinie see the Batman movie? DS: 4.0 Shields - IÕm a sucker for a good Joker story. Lois is feisty. Lois and Clark try to lead the normal life of a young engaged couple with humor but not much success. JS: 2.5 Shields - Improved art, but the story left a bit to be desired. A grinning malevolent figure graces this issueÕs cover. HeÕs dressed as a twisted homage to Superman with a ÔJÕ emblazoned on his cape. The JokerÕs come to Metropolis. Since his Arkham breakout, the Joker has gotten around, and this month it was MetropolisÕ turn to feel the cold touch of the clown prince of crime. This issue opens explosively with a chemical plant fire. Superman draws on his Smallville farm experience to put it out. Across town, a grinning, feral corpse is the only clue in a munitions heist. DwyerÕs art is spot on in capturing the grim brutality of the heist and its victims. Lois, spooning her consomme, is waiting for Clark to come back and finish dinner with her. Being a superheroÕs fiancee must instill a tremendous amount of patience and tolerance. At the Metropolis toy fair the next day, an unscrupulous toy manufacturer has unleashed his ÔJokerÕific Christmas line. Joker dolls, cars and ha-haciendaÕs all with no royalty fees (or worries?) Anson Turley, the manufacturer, dodges morality issues and returns to his factory where the Joker is waiting. He seizes control of both Turley Toys and the Mile-of-Mirth Joker parade with his own sinister plans for revenge. At the Parade the next day, Turley is tied to his chair on a superhero float. Aquaman, Green Arrow and Wonder Woman lookalikes have all been given Joker makeovers. The Joker, dressed as ÔSuperjoker,Õ is taunting Turley and explaining how heÕs going to treat the needy kids. The streets throng with children. Cuddly robots carrying presents move out among the kids. Superman, realizing that they are bombs, flies them away to airburst harmlessly overhead. In a wonderful nod to current fads, the Mighty Martian Powee Rangers are released, and Superman exclaims ÒOh, give me a break!Ó They are adhesive figures who slow the Man of Steel down as the Joker prepares to kill Turley. Michelinie pulls another rabbit out of the hat, and itÕs Jimmy who knocks the Joker for six and rescues the misguided manufacturer. Good role for a supporting character and nice to see a regular guy take down one of the league of supervillains. ItÕs sometime easy to get trapped into the idea that only the superheroes can defeat these villains. The Joker makes good his escape by exploiting SupermanÕs weakness with lead. A lead painted rocket is launched and as Superman flies up to stop it, the Joker scurries away down a manhole. Jimmy is hired by Cat for WGBS and gets some of the respect he feels he was missing at the Planet. Clark and Lois have a quiet meal together, bathed in the warm glow of candlelight. ItÕs interrupted only by a courier delivering... a Joker doll. This was an enjoyable single issue tale pitting one of the classic supervillains against Superman. ItÕs good to see the mix and match of other heroes villains and this was well done. These one issue stories have been a welcome change of pace after the DoCK storyline, and while the ÒTrialÓ will soon be upon us, I have really enjoyed these monthly tales. The subplots at WGBS keep bubbling away and the focus on Clark and LoisÕ relationship is sharply observed. Jimmy continues to shine here in Action and show us what heÕs made of. There has been a trend in the last few issues with Jimmy or Ron helping out, and itÕs a trend I applaud and have enjoyed. These guys are quick-witted regular guys, and while they donÕt have super powers, they can make all the difference. The art is really growing on me too and I like DwyerÕs style. The close-ups on Superman or Lois and the sweeping dynamism he brings to Superman/Clark as he flew back into Lois all push the story along. His Joker was a manic, pallid monster up to his neck in his villainy. Just shows you though that wearing the Superman suit doesnÕt grant the muscles, and a frail, doubled Joker fell to JimmyÕs blow. The Bat guys donÕt have a monopoly on well-drawn Jokers . The ÔmoralityÕ of the toy industry came under fire and this was the industry that turned the Toyman into the figure he is now. Any answers from the gallery on the question of kids emulating such characters, if they were real? Anything negative? Actually not that I can think of. Superman acts intelligently, the art is strong, Jimmy shines, oh yeah, the Joker escapes but weÕve got to leave some villains for Batman. William J Nixon ======================================================== 38. SUPERMAN: THE MAN OF STEEL #49, ÒFlight!Ó Story: Louise Simonson Penciller: Paul Pelletier Inker: Terry Austin Cover: Jon Bogdanove & Dennis Janke $1.95 US/$2.75 CAN/#1.25 UK RATINGS: Average: 3.2/5.0 Shields AL: 3.0 Shields AW: 3.0 Shields - Nice art, but lots of holes in the story Ñ like where did the girl with the wings come from, and what happened to her at the end? DS: 3.25 Shields - A nice family piece focusing on Keith and his friends and JimmyÕs making his way in WGBS. JS: 3.5 Shields - IÕm a big fan of PelletierÕs art, but itÕs been better Ñ see recent issues of Green Lantern, for example. A fairly good story Ñ whoÕs SkyhookÕs master? Powerless, Kal-EL hovers in space as Krypton explodes in a green fireball. Then, he awakes from this recurring nightmare. As he tries to unravel these mysteries, screams for help and the sound of gunfire bring him back to reality. Superman arrives and finds that a winged girl has stolen a sack of money from two hooded, gun-toting men. Superman apprehends them as the true owner of the money steps forth. With the men in hand, Superman pursues the winged girl to a sewer entrance. During the chase, we and our hero find out that one of the crooks is afraid of heights and the other is claustrophobic. Before proceeding into the sewer, Superman places them on the ground and they agree to stay put. Because of the large amount of lead in the old pipes, Superman is unable to locate the girl. He later arrives at the Daily Planet building as Clark Kent as Perry and Lois lament the loss of Jimmy. The next day, Cat Grant and Jimmy meet in her office at GBS. Cat wants Jimmy to get the Superman/Skyhook angle on video. Meanwhile, Keith, Chuck (ÒChunkÓ) and Lenny are playing in a tree. They are pretending they are Superman, Superboy and Alpha Centurion, respectively, and are trying to apprehend Skyhook. As they play they see the winged girl sitting in the tree. She says ÒUncleÓ will give them wings if they follow her into the tunnel this evening. They ÒagreeÓ to come, not to get wings, but to help her. That night they all agree to Òspend the nightÓ at KeithÕs house and sneak out with garlic, crosses, and glow-in-the-dark stars to hunt down Skyhook. Back at the Planet, Lois begins an interview with Alpha Centurion. That evening, Clark again has the destruction of Krypton dream and is awakened by a phone call from Perry. Perry asks him to try and contact Superman because Keith and his two friends are missing. Superman flies off to locate the boys. Jimmy has heard the report over a portable scanner, and with help from a cabby and $100, he arrives at the sewer entrance shortly after Superman and follows him inside. Superman follows the glow-in-the-dark stars and quickly locates the boys, the girl and Skyhook. A short battle ensues and Jimmy gets the whole thing on video tape. Fearing an explosion from a ruptured gas main, Superman flies off with the children and Jimmy in hand. The families are reunited and SupermanÕs job is done. But, for some of our other friends, the jobs are just beginning. Lois submits her story to Perry. She claims that it is not normally front page news, but since it has been slow... As she makes this premise, JimmyÕs story is broadcast by WGBS. Perry tells her Ò... thatÕs what I call page one news.Ó Nice story. It was self contained, but it also extends its tentacles through many of the future events of the DC Universe. Skyhook hints at an Underworld Unleashed connection, and Kal-ElÕs dream obviously has its roots in the up- coming Trial of Superman. We are exposed to many of the supporting characters of the Mythos, but the whole thing works. Very little seems contrived. Well, maybe the SkyhookÑKeith connection which is the basis of the plot. But, I am sure the Underworld Unleashed has something to do with it, and will make sense in some way. Over the last few issues we have the seen the maturation of Jimmy Olsen. He is no longer the ÒpupÓ reporter, but a newsman. He has grown up. Earlier there was a piece on the Role of Jimmy Olsen in the Mythos. I think he could be used to give young professionals someone to identify with. Keith could fill the role for the youngsters. I hope Darlena is taken care of and gets the help she needs. It would be great if the Whites or someone else adopt her and she becomes friends with Keith. KeithÕs little gang could really use a girl personality, IMHO. Arthur LaMarche ======================================================== 39. SUPERMAN #105, ÒMisperceptionsÓ Writer: Dan Jurgens Penciller: Jose Luis Garcia-Lopez Inker: Joe Rubinstein Cover: Dan Jurgens & Joe Rubinstein $1.95 US/$2.75 CAN/#1.25 UK RATINGS: Average: 3.4/5.0 Shields KM: 4.0 Shields - for the main story / 5 Shields for the secondary story about SupermanÕs biography and a big ZOWIEEEE :-) for the opening page! AL: 4.0 Shields - Pretty artwork, intelligent heroes and a visit from past villains. AW: 4.0 Shields - Love that Garcia-Lopez! And our heroes out-think the bad guys instead of out-pounding them! DS: 2.0 Shields - Biff! Pow! Whack! One long fight. The trouble with closely coupled books is filler waiting for a new MAJOR STORY ARC to start. JS: 3.0 Shields - Beautiful art by Garcia-Lopez, though we could have done without the splash-page cheesecake... The story was little more than a fight, and I never liked Psi-Phon and Dreadnaught, anyway. LEGAL DISCLAIMER: I wrote this under the influence of Benadryl while watching David Letterman. That should explain all the weirdness that may be read into this review. Kyle (what the heck is his last name anyway...), alias Green Lantern, is taking a break from finishing up some touches on a nude painting of his model girlfriend Kelli (I hope my wife doesnÕt see this panel!) when he suddenly disappears. Sheesh! The guy would rather watch TV than be with his girl! [In KyleÕs defense, KelliÕs not his girlfriend Ñ that title belongs to Darkstar Donna Troy. ÑJeff] He deserves to get zapped! Quickly he transforms into the unsophisticated emerald superhero as he dodges a couple of nasty-looking laser blasts. In a matter of moments, Green Lantern is knocked unconscious by a huge hand and we overhear a couple of voices arguing about whether he is the real thing or an impostor. Cut to the opening ceremonies of the commemoration of the cruise ship, S.S. Lara, where Jimmy Olsen is feeding a live report to his new boss Cat Grant at WGBS. Just as Superman is about to christen the ship, a giant robot arises out of the water, surrounded by several reddish-orange globes. It is holding Green Lantern in his right hand. Superman soars up to stop the mechanical monster but is diverted when he sees Green Lantern falling into the ocean. Without warning, Superman is suddenly zapped with laser beams emitted from the hovering globes. Superman manages to regain his composure and save Green Lantern from a near drowning. Now the monster has picked up the yacht, which really upsets the situation on board. Thank GOODNESS Jimmy caught Lois in midair. That was perhaps the scariest moment, wouldnÕt you agree? :-* WGBS loses the signal, so Cat decides to broadcast a Superman bio tape. What?? NO O.J.?????? Who the heck is Kem-L? I just threw that in to see if you were paying attention. The test tomorrow, kids, will NOT be open book. Superman and Green Lantern spring into action to do battle with the monster. Suddenly Superman begins to lose his powers. Then a large flying saucer appears out of nowhere. Green Lantern transforms himself into a colossal force that can easily handle the giant robot. Just when things couldnÕt possibly get any worse, we find out who is behind this mess: Dreadnaught, who unfortunately has Superman in his grasp, and Psi-Phon, the straight-man of this bizarre comedy duo. Am I supposed to know who these two weirdos are?? [Check out ADVENTURES OF SUPERMAN #442, July Ô88 ÑART] Dreadnaught looks like he just left a bad Ninja Turtle movie. Through the use of his special magic, Green Lantern switches places with Superman, stopping Dreadnaught from sapping anymore of his powers. Green Lantern springs into action and captures the two baddies, forcing the little guy to return SupermanÕs powers. This also frees the hold on the giant robot who was being controlled by Psi-Phon. Turns out Psi-Phon and Dreadnaught had a major grudge against Superman and Green Lantern and wanted to inflict a little revenge. Yeah, right. I liked this comic for several reasons. Green Lantern is a pretty cool superhero (even if I canÕt remember Kyle whatÕs-his-name). He and Superman make a pretty good team. The action scenes are really spectacular. I liked the way Jimmy is featured in this issue. He is going to have severe problems with his co-workers because he appears to be kissing up to Cat (which ainÕt half bad!). But he held his own this time and even Lois thought he was doing a good job. Most importantly, I REALLY enjoyed the bio tape Cat was running during all the action. I was unfamiliar with the history of the Eradicator and its inventor, Kem-L. Come on DC, letÕs have a little more of the Krypton history lessons. [In November, DC will be releasing a trade paperback focusing on the Eradicator. See COMING ATTRACTIONS for more details. ÑJeff] And hey! Bring back SPACE GHOST!! One more thing; if DC has anymore pages like the first one IÕm going to have to carry my comics home in a brown paper bag. Ken McKee ======================================================== 40. ADVENTURES OF SUPERMAN #528, ÒDeadly SilenceÓ Writer: Karl Kesel Penciller: Stuart Immonen Inker: Jose Marzan, Jr. $1.95 US/$2.75 CAN/#1.25 UK RATINGS: Average: 3.4/5.0 Shields AW: 3.0 Shields - Story is a filler, but told with a refreshing approach, rendered beautifully by the artistic team. AL: 4.0 Shields - I LOVED the change of perspective angle. It starts with JimmyÕs and then goes to the Bounty HunterÕs. DS: 2.5 Shields - Elseworlds: What if Superman was an Image comic? Continuation of the month long wait for MOS #50 so we can start the new MAJOR STORY ARC. JS: 3.5 Shields - IÕve praised Immonen and Marzan enough lately, so kudos this month to Glenn WhitmoreÕs fabulous coloring on this title! His work is every bit as important as that of the other two, but it is usually less acknowledged. Oh, and the storyÕs not bad, either... WN: 4.0 Shields - Some really beautiful art and a bounty hunter. Liked the feel, pace and look of this story, especially that last mirror scene. What a nice coincidence! Just as I move my old reviewer chair from MAN OF STEEL to ADVENTURES OF SUPERMAN, Kesel, Immonen and Marzan decide to take some stylistic chances and make what could have been a very flat issue into an enjoyable reading experience. The story here is pretty simple. An alien (bounty hunter?) comes to Earth seeking Hal Jordan (aka Green Lantern/Parallax) and Superman. He finds Superman, tries to capture him, and loses. The alien narrowly escapes, leaving behind him a confused Superman and a mysterious rocket (beacon?) in Metropolis Harbor. What made this issue more than a pedestrian fight scene was that the story was told almost completely from the viewpoint of the alien. Kesel keeps the dialogue to an absolute minimum as Immonen and Marzan beautifully render the sights the alien encounters: A Jimmy Olsen news broadcast, the buildings and citizens of Metropolis, Alpha Centurion, and finally a well-drawn (though anti-climactic) battle with the Man of Steel. IÕm glad that Kesel recognizes the artistic talents of the team, and was willing to give them a real chance to do their stuff. Dazzled as I was by this issue, donÕt think I was blinded to its faults. IÕve voiced my concern over the cardinal sin of this issue several times before in MAN OF STEEL: this story is nothing but a setup for the upcoming ÒTrial of Superman.Ó It was meant to be a filler, hyping the upcoming extended series. Had a less creative team handled the story, IÕd be screaming for my money back. When will the powers at DC realize that weÕre not buying Superman to support a corporate entity, but because we actually want to read some EXCITING, ORIGINAL STORIES? Every time I feel that I havenÕt bought a story, but a promotion for the next Superman story, I become that much closer to spending my hard-earned two bucks on something else. Still, IÕd say Kesel, Immonen and Marzan gave me my moneyÕs worth this time around, and I look forward to reviewing the next exciting issue of ADVENTURES OF SUPERMAN. Anatole ======================================================== 41. SUPERMAN: THE MAN OF TOMORROW #2, ÒPawnsÓ Writer: Roger Stern Artists: Tom Grummett & Brett Breeding $1.95 US/$2.75 US/#1.25 UK RATINGS: Average: 3.0/5.0 Shields RG: Story: 4.0 Shields - some development of new subplots Art: 4.5 Shields - clean, well inked, nicely detailed AL: 2.5 Shields - Too much flash-back stuff. AW: 2.5 Shields - Average story inside, annoyingly deceptive cover. DS: 2.5 Shields - OK, if you read this book when it came out, what happened? No fair looking. Well, I couldnÕt remember either. Summarize old stuff, set up new stuff. MAJOR NEW ARC to follow, not to mention a mega-crossover that will change the DC Universe forever (tm). JS: 3.0 Shields - While it didnÕt match the quality of the first issue, this one wasnÕt bad. SternÕs writing was good, though a bit unfocused. The art seemed a little bit rushed. Superman is trying to track down Lex Luthor to bring him back to Metropolis to answer for his crimes. Luthor, of course, is in the background working to keep Superman off balance. The story opens with Superman bursting through a wall of LuthorÕs Puerto Seguro hideout only to have it blow up around him. Luthor is, as usual, one step ahead of him. We are briefly reintroduced to Dr. Torval Freeman, who will play a bigger role in upcoming issues. Alpha CenturionÕs and the ContessaÕs recent activities with LexCorp are shown, and Superman visits with Prof. Hamilton, who has been working on a containment system for Arclight. Jimmy Olsen is again shown on the scene as a television journalist. Perry White seems to be missing him, but Cat Grant at WGBS couldnÕt be happier. With JimmyÕs help, she is rapidly proving her worth as the new head of the GBS news crew. The Contessa finally orchestrates her meeting with Alpha Centurion, who is sure he has met her before. (Perhaps a clue to her real origin?) Break away to a scene where Lex is shown to be in debt to a mysterious benefactor for a bargain made for his suspicious good health. This is an obvious lead in to the ÒUnderworldÓ story that begins next month. Lex uses a stolen password that lets him lay a trap using Oracle (Barbara Gordon). Superman goes to LexÕs old island where he finds Alpha Centurion, the Contessa, and Jimmy Olsen (with a GBS news team) on hand, inspecting the site because the islandÕs ownership had been transferred to LexCorp. She just wanted to check it out. Superman no more than arrives when the IslandÕs booby traps begin to explode. When the dust settles, there is little left of the place. Meanwhile, Luthor has lured Dr. Freeman into a trap with a strangely transformed Parasite. A wonderful story that both builds on current story lines and starts to lay the background for the coming ÒUnderworldÓ multi-title cross over. My only complaints with the story is that it seems to completely ignore many of the supporting characters that are finally getting some coverage in the other Superman titles. True, we do get to see what is happening to Alpha Centurion and the Contessa (who have been largely ignored in the other Superman titles), and we are also given a few more glimpses of JimmyÕs recent activities, but Lois and the others are strangely absent. Roger Stern has always been my favorite Superman writer. He has been able to surprise me on several different occasions. I will admit to a certain amount of suspicion as to where he is going this plot, but he is one of the few Superman writers that I would trust to develop a plot that will do more than just fill in the skip-week gap. I love the character of the Contessa and hope to start seeing more of her and Alpha Centurion in the other titles. I just hope that it proves to be something other than a re-hash of the Luthor/Supergirl affair. Rene' Gobeyn ________________________________________________________________ ************************************************************* End of Section 3 ________________________________________________________________ OTHER SUPER-TITLES: ÑÑÑÑÑÑÑÑÑ SUPERBOY #20, ÒThe Hunt!Ó Guest Writer: Eddie Berganza Guest Pencillers: Darryl Banks & Joe St. Pierre Inkers: Doug Hazlewood & Dave Bednar Cover by Tom Grummett & Karl Kesel $1.95 US/$2.75 CAN/#1.25 UK RATINGS: Average: 2.5/5.0 Shields VC: 2.0 Shields AW: 3.5 Shields - Not sure what happened, but I liked the pretty pictures. AL: 3.5 Shields - Huh? Ditto, AW. DS: 2.0 Shields - For completists only. JS: 1.5 Shields - Wonderful cover, but the interior was just plain bad. A pointless story and some horrible fill-in artwork. After KnockoutÕs appearance [see last issue], Agent Makoa is convinced that King Shark may still be alive in the DragonsÕ Lair. After convincing Superboy to go with him, the pair proceed undersea by themselves since Makoa was not able to get sanctioning for the mission. In the remnants of the aquatic base, Superboy comes face to face with the latest incarnation of Green Lantern, who was sent by the TitansÕ government contact to check things out. After a brief macho tussle, the two decide that theyÕre better off working together. Meanwhile, Makoa is trapped by the Scavenger and about to be attacked when no sooner is the Scavenger beset by the appearance of Black Manta. Superboy and GL exit the ruins in time to chase away predatory sharks from Makoa while the Scavenger and Black Manta duke it out. Although the trio are caught in what seems to be the middle of a blood feud, the Scavenger and Black Manta inadvertently detonate nearby thermal reactors with their fighting. Thanks to MakoaÕs quick actions, the three are able to make it to safety. Every time a fill-in issue appears on the stands, I usually cringe, given the type of quality IÕve seen in other efforts. This was no exception. The story started out with a decent premise but then got lost as soon as they went underwater. Not only did the story not mention King Shark again, but other guest villains came out of the woodwork Ñ ones that had *nothing* to do with the Watery Grave story arc. Granted that it was just a fill-in, I was disappointed that Mr. Berganza couldnÕt have come up with something less drab. Great another undersea explosion. ThatÕs what happened last time. When you come down to it, almost the entire story was just an exercise in futility. There were only two bits worth mentioning that I didnÕt include in the summary. Roxy gets a letter from the police academy (she doesnÕt open the envelope in this issue), and the mysterious Technician discovers SuperboyÕs glasses. The art was passable, and I think Darryl Banks did a decent job. However, I think Joe St. Pierre needs more practice; he even made Roxy look like Betty from Riverdale. I canÕt wait until next issue when our regular teams back with some very special 30th-century visitors. IÕll be detailing what happens back in the 30th century next issue of KC to help readers follow Superboy #21. Victor Chan ======================================================== STEEL #20, ÒLethal TendenciesÓ Guest Writer: Ruben Diaz Guest Penciller: Roberto Flores Inkers: Ken Branch & Jeff Albrecht Cover: Trebor & Albrecht $1.95 US/$2.75 CAN/#1.25 UK RATINGS: Average: 2.5/5.0 Shields DS: 3.0 Shields JS: 2.0 Shields - Ruben Diaz writes Steel versus the Zombies. Whadda *you* think? A slugfest issue in which Steel is the good good-guy, Lethal is the bad good-guy (a la the Punisher or AzBats) and Felipe DeClaude is the bad guy. The story is unremarkable. John HenryÕs high school coach, who instilled great virtues in our hero and taught him remarkable values about life, has been kidnapped. The trail leads to a room filled with dead bodies and Lethal, who is also investigating the situation, although itÕs not clear exactly why. Clever investigation (Lethal presses the redial button on the cel phone of the dead crook which calls the answering machine of a Food Distribution warehouse) leads Steel and Lethal to the next stop on their investigation. They interrupt a crook and his girl who are about to, uh, ... get to know each other. Lethal once again cleverly gets more information out of the crook, by beating him within an inch of his life. Steel stops him and Lethal slugs Steel, apparently piercing his armor Ñ which seemed to repair itself and Steel in the twinkling of an eye. They settle their differences when Steel almost cracks one of LethalÕs ribs. Steel then takes the crook to the police station, where the name of the boss, DeClaude, is checked through the police files. DeClaude is checked through central-net by a new cop at the precinct, Det. Trace ÒNew YorkÓ Minute, a tough-talking, heavy-smoking, eye-patch-wearing cop who was transferred(?) from NYPD. DeClaudeÕs full name appears to be either DeClaude Royce or Royce DeClaude, who rented an entire floor of an office building several months ago and converted it into a swanky restaurant, called ÒManÕs FoodÓ. Steel goes to the restaurant to arrest DeClaude, whose name may have changed to Felipe between pages. Lethal barges into the restaurant, coming through the kitchen, where it appears that the main course on the menu may be Soylent Green. Furthermore, DeClaude turns out to be not only a crook who serves people as the main course in his restaurant but also turns out to not even be human. Fisticuffs and clever quips ensue for a few pages, and eventually DeClaude and Lethal plunge out of the window, dropping several stories to their deaths. Except of course that Lethal teleports out of the story at this point and thus apparently will be available as a future participant in SteelÕs world. Steel finds his old coach and a bunch of other individuals in the freezer lockers of the restaurant. The kidnappings appeared to have been motivated by the exceptional physical condition of the victims. It seems to me that that would have made them tough, but maybe tough flesh is more flavorful when served at fancy restaurants. Lots of bright colors and sharp contrasts in the artwork plays to advantage with the glossy paper used in this comic. There are several splash pages including a double page that has been split into two columns when the page is turned sideways, depicting Lethal and DeClaude falling from the window of the restaurant. There are several other pages that are mostly splash with three panels or so overlaid on the splash. Flores likes to draw teeth and hair, but his faces tend to look different from each other. The cover by Trebor and Albrecht is one of the best Steel has had. John HenryÕs black and silver costume are nicely set off by the huge flowing red cape in the style of McFarlane (or maybe Kelly Jones). The building evokes more of a feeling of Gotham City than of Washington, DC. This story was a one-issue self-contained story by a mostly guest team. It was nothing special because it didnÕt seem to have any interesting minor characters Ñ other than Det. Trace Minute Ñ and consisted mostly of heroes saving the world by beating the crap out of each other and villains. But, things may soon be better because Weezie will be back next month when Steel apparently takes on the Cyborg Superman in a tie in to either UNDERWORLD UNLEASHED, the next mega-crossover that changes the DC universe forever(tm), or the ÒTrial of Superman,Ó the soon to be current major story arc in the main Superman books. Dick Sidbury (sidbury@cs.uofs.edu) ======================================================== SHOWCASE Ô95 #9, ÒThe FlockÓ Starring Lois Lane Story: Cindy Goff Pencils: Sal Velluto Inks: Dick Giordano Cover: Phil Gosier & Chip Wallace $2.95 US/$4.25 CAN/#2.00 UK RATINGS: Average: 4.0/5.0 Shields RG: Story: 4.0 Shields - good story, nicely characterized Art: 4.0 Shields - nicely detailed, good use of backgrounds JS: 4.0 Shields - Nice story. And even though IÕm not a fan of Velluto, the art was fairly nice as well. At last! Nine issues into the series, I finally get the kind of story IÕve been waiting for. A good solid story using two of the supporting cast as main characters. Back before the Crisis, when the DC Universe imploded, both Jimmy and Lois had their own series. This story is a good example of how the Superman cast can contribute to the DC Universe again. Lois and Jimmy are investigating the disappearance of four people in Metropolis during a week of intense rain. They manage to track them down to ÒMother GraceÕs Eternalife Ministries.Ó ÒMother GraceÓ is of course a con- artist out to scam the good folks out of all their wealth. When Lois and Jimmy investigate, they are discovered. Jimmy is caught and held with the other captives while they wait to be converted. Lois in the meantime tries to convince Grace to let her in on a piece of the action. She is thrown out, but comes back later and discovers where the captives are being held. A flood threatens the captives, but Lois manages to break in and save them, capturing Grace and her gang. ÒFour Funerals and a WeddingÓ starring Lobo Script: Alan Grant Penciller: Walter McDaniel Inker: Rob Leigh RG: Story: 2.0 Shields - great... if you like Lobo, that is Art: 3.5 Shields - detailed with good use of background JS: 1.5 Shields - I admit I used to read *and* enjoy Lobo. But IÕve grown very tired of him. Sadly, his appearances will will probably be the two best-selling issues of this series... Lobo is the best man at an alien wedding. During the reception he discovers that the bride is actually a wanted murderer. A fight breaks out (this is Lobo after all) and Lobo kills the bride and her whole gang. ÒIn Deep DownÓ starring Martian Manhunter Writer: Peter J. Tomasi Artist: Eduardo Barreto RG: Story: 3.5 Shields - simple well told story Art: 2.5 Shields - clean, but lacked detail JS: 3.0 Shields - Strong story, but weak art. Eduardo BarretoÕs better than this. JÕohn JÕonzz enters the mind of one of the survivors of the Titanic, giving a dying man his last request. ReneÕ Gobeyn ======================================================== THE NEW TITANS #126, ÒGoing HomeÓ (Meltdown #4) Writer: Dale Hrebik Artist: Rik Mays Cover: William Rosado and Will Blyberg $2.25 US/$3.25 CAN/#1.50 UK RATINGS: Average: 3.9/5.0 Shields RG: Story: 4.5 Shields - Great story with good character development Art: 4.0 Shields - nicely detailed, a different look for the book JS: 3.5 Shields - Well written, with good character interaction Ñ though I thought Supergirl was out of character briefly. Nice art by Rik Mays. This book is really a fill-in before the Meltdown story starts next month, but it begins to introduce a few new plot elements to the book. There is so much teen-age romantic angst in places that the story could have been called Òraging hormones.Ó The story opens with Roy Harper (Arsenal) being tossed off a bridge by one of his best friends, Martin Santos, a Checkmate agent. A great way of introducing the family that is caring for RoyÕs daughter, Lian. Showing Roy as a father and Òoff dutyÓ is different, and a lot of fun. Much of the by-play between Roy and the others is great. There are several scenes that show Roy about to over-react in true comic book form, only to be reeled in by the others. The dialogue is a bit strained in a few places, but mostly comes across as bantering. Much better than standard comic fare now-a-days. Next up we see Arsenal having a man-to-man talk with Bart Allen (Impulse). We later find out that it is really Mirage projecting an illusion of Arsenal. Her powers seem to be evolving a bit and growing stronger. This is good as she has always been rather underpowered compared to the others. After Bart leaves, she is joined by Donna (Darkstar) and Kyle (Green Lantern). While they are talking they are attacked by the other young Titans (Tara, Bart, Supergirl, Rose, and Jarras). After a bit of good-natured superpowered rough- housing, the kids leave Supergirl and Arsenal talking about how the team is developing and about some of ArsenalÕs misgivings about the job heÕs doing. The book ends with a bit of horseplay between two STAR Labs technicians that leads to Changeling being released from the stasis tube. A pleasant story that is long on character development and short on fight scenes. The art is a bit stylized and not what IÕm used to seeing in this title. It reminds me a bit of some of the colored Manga IÕve seen but much more detailed. IÕm not sure if IÕd like a steady diet of it, but it is a refreshing change of pace. ReneÕ Gobeyn _________________________________________________________________ OTHER APPEARANCES: ÑÑÑÑÑÑÑÑ- SHADOWDRAGON ANNUAL #1, ÒDawn of the Dragon!Ó Plot: Brett Breeding and David Michelinie Script: David Michelinie Layout Art: Dick Giordano Finished Art: Brett Breeding Cover: Brett Breeding & Klaus Janson $3.50 US/$4.95 CAN/#2.50 UK RATINGS: Average: 3.5/5.0 Shields RG: Story: 4.0 Shields - well told origin and background Art: 3.0 Shields - looked rushed, needed more detail JS: 3.5 Shields - David Michelinie turns in a surprisingly well-written tale of this ninja Robin Hood for the 90s, and Brett BreedingÕs illustrations are pretty good. However, this character simply does not interest me. I was overjoyed when I saw that DC was going to spotlight this character in his own annual. I would love to see more of Shadowdragon in the Superman books or even as a supporting character in other DC titles. (He would make a great partner for Catwoman.) Shadowdragon as a character has tremendous potential! The story opens with the Shadowdragon breaking into a French electronics plant to steal a chip that he thinks his country can use to increase its power generation. After he defeats the robotic security, he steals the chip and escapes. He turns the chip over to one of his accomplices to take back to Bhutran while he leaves to come to the US. The story then flashes back to before Prince Savitar Bandu, next in line for the throne of Bhutran, became the Shadowdragon. He is concerned about the coming peace talks between his father and the ambassador from the neighboring country. Defense spending is beggaring the people of the country, and Savitar feels that peace is his countries only hope. Rebels attack the visiting delegation from the neighboring country of Chi-Lann and Savitar is forced to rescue them. During the rescue Savitar learns of a supposed medical installation just across the border in Chi-Lann, and he decides to investigate the allegations that it is a forward base for a coming attack on his country. He infiltrates the base and finds out that it is indeed a research installation, but for the military. He is discovered and attacked, and in trying to escape, he meets up with the rebels who are there to destroy the base. Savitar and the rebels are trapped when Savitar finds the end product of the research - a suit of bio-enhancing armor with integrated weapons. They eventually escape with the armor and manage to damage the installation. For his part in the raid on the weapons installation, his father strips him of his rank and title, and he can no longer have any part in the government of the country. No longer a prince, Savitar joins the rebels. After training and modifying the armorÕs weapons he becomes the legendary Shadowdragon. The story ends with Savitar landing in Metropolis foreshadowing his coming meetings with Superman. While this book is an interesting and well-told Year One story, I was a little disappointed. I found the art lacking in detail and in most cases the backgrounds were mostly plain or mono-colored. I got the impression that the book was rushed. ReneÕ Gobeyn ======================================================== GREEN ARROW #101, ÒRun of the ArrowÓ Writer: Chuck Dixon Pencils: Rudolfo Damaggio $2.25 US/$3.25 CAN/#1.50 UK RATINGS: RG: Story: 5.0 Shields - a fitting tribute to a hero Art: 5.0 Shields - clean, uncluttered, well detailed Oliver Queen is dead, long live Green Arrow. In yet another Ò90Õs upgrade,Ó Green Arrow has been replaced by a new and younger model. As has happened to Flash and Green Lantern (as well as Superman, Batman, and Wonder Woman if only for a short time), DC has decided that yet another character has needed to be ÒrefittedÓ to the nineties. The story opens where it ended last month. Ollie is losing consciousness from blood loss holding a deadman switch to a bomb. Superman has come to the decision that if he removes OllieÕs arm he can get him away fast enough to save him. Ollie says, ÒNot going to cripple me... you big blue...Ó and lets go of the switch, setting off the bomb. Superman is blown free unharmed (of course). There is a nicely done panel showing whatÕs left of the plane crashing with several arrows burning with green flames falling around it. A very nice touch. In true comic book fashion Superman scans the wreckage and finds no trace of the body. The rest of the book was a collection of scenes that reflected many of the facets and parts of the kind of life he lived. Each a kind of tribute to the hero he was. I got choked up several times and have read this one six times as of this writing. If you are interested in reading a well done book get this one. It was a very fitting tribute to one of DC oldest remaining heroes. I wonÕt try to describe the settings or dialogues, except for the end where Connor Hawke, OllieÕs unacknowledged bastard son and successor, says his final good-bye in the way that it is said they buried the legendary Robin Hood, who was OllieÕs role model. Using a bow that was supposed to have belonged to Errol Flynn and used in the original ÒThe Adventures of Robin HoodÓ movie, Connor shoots an arrow into the woods that Ollie said reminded him most of Sherwood Forest. The last panel of the story shows the arrow with the outlines of Ollie, Maid Marian (looking suspiciously like Black Canary) and what can only be the shades of the original Merry Men hoisting a flagon of ale. Seems fitting. Quoting Zatanna as the heroes say their good-byes; ÒSo he was a hound, a rogue and an unapologetic womanizer. But he died as he lived. He was what all of us strive to be everyday. Oliver Queen was a HERO.Ó IÕm really going to miss him. ReneÕ Gobeyn _________________________________________________________________ ***************************************************************** End of Section 4 LOOKING BACK ÑÑÑÑÑÑ LEGACIES: Reviews of the pre-Crisis Man of Steel ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ JUSTICE LEAGUE OF AMERICA # 137 ÒCrisis in TomorrowÓ Dec. 1976 Plot Continuity: E. Nelson Bridwell Words: Martin Pasko Art: Dick Dillin & Frank McLaughlin Cover Price: .30 Rating: 3.4 shields SUPERMAN VS. SHAZAM! ÒWhen Earths CollideÓ 1978 Writer: Gerry Conway Artists: Rich Buckler & Dick Giordano Cover Price: $2.00 Rating: 4.0 shields These two books were the ÒfirstÓ meetings of Superman and Captain Marvel. The Shazam book had already begun, I believe, at the time of the JLA issue. This, however, was the first crossing between the Fawcett characters and the rest of the DC Universe. Fittingly enough, it occurred in that yearÕs annual JLA / JSA team-up. JLA nos. 135 and 136 held the main body of the big story. Earth-SÕ Kull the Beastman was trying to destroy Earths 1,2, and S. At the Rock of Eternity, he paralyzed Shazam, rendering him incapable of sending the magic lightning that would transform Billy & Mary Batson and Freddy Freeman into the Marvel Family. So the JLA and JSA teamed up with Earth-SÕ other heroes to stop KullÕs henchmen. Earth-2Õs Johnny Thunder is sent to Earth-S, and his Thunderbolt takes the place of the magic lightning, and the Marvels show up with the JLA and JSA at the Rock. Kull zaps Superman with red kryptonite, which sends him into a murderous rage. Finally Superman and Captain Marvel meet Ñ on the final *2 pages* of the 3-issue long story. Cap hollers ÒHere I am, you mindless lunkhead Ñ the only super-hero stronger than you!Ó The two guys charge each other at super- speed. At the last second, Cap hollers the magic word. He changes back to Billy, and the magic lightning wipes out the effects of the red K. Superman saves Billy. And that was it for the senses-shattering first meeting of Superman and Captain Marvel. :) Not much to it, right? It would be two more years before they met again. This time there were about 20 fewer superheroes involved. And since it was such a BIG story, where else would it be but a tabloid comic? On Mars, an alien wizard called Karmang the Evil calls forth Captain MarvelÕs archenemy, Black Adam and the Superman - sand thing from Quarrm. He zaps Black Adam, thus convincing both bad guys to aid him. They are each ordered to place machines on Earth-1 and Earth-S that will draw the two worlds together, destroying them (of course). On Earth-1, Superman runs into Captain Marvel rampaging through Metropolis. As they fight, Superman calls Supergirl to help him out. Cap blasts Superman with a Òjudgment-rayÓ which, we are informed in his thought balloons, will cause Superman to act irrationally. Turns out Cap was really Black Adam. When Supergirl shows up, Superman tears off after Cap, saying heÕll kill him. Back on Mars, we get KarmangÕs origin. He was the most brilliant scientist on ancient Mars, and he wanted to be immortal. (Anybody else see where this oneÕs headed?) He pulls a switch and blows all of his people to smithereens. He becomes immortal, but all his people live on as phantoms, and they torment him for eons. He thinks he can bring them back with the energy that he could harness from blowing up the two Earths. On Earth-S, Captain Marvel runs into the sand thing disguised as Superman. He sets up his machine. If Superman and Cap were to team up, they might figure a way to stop it. The disguised sand guy fights Cap, zaps him with the judgment ray, and high-tails it out of there. Mary Marvel shows up, as Cap flies off to Earth-1. Back on Mars, we get to see the familiar computer graphic of two parallel Earths colliding together. Karmang says that if the two machines are disturbed, total planetary collapse will result. If Superman and Cap were to team up, they might find a way to stop it; hence, KarmangÕs plan to have them pummel each other. Superman and Cap face off in a double-page tabloid spread, then they proceed to beat the ungodly crap out of each other. Mary Marvel is about to help, but Supergirl stops her. They donÕt fight Ñ instead, they sit and compare notes like rational adults. They split up to go after Black Adam and the sand guy. WeÕre clued in to Mary MarvelÕs hidden agenda, though Ñ Òa dreamy hunk of hero called Superman!Ó MaryÕs got it bad for him. While Superman and Cap battle all over the country, Karmang watches on, tickled pink. Supergirl finds Black Adam, and whips him good. Mary finds the Quarmm guy, and he admits that Karmang threatened Quarrm, forcing the sand guy to help him. He tells Mary the whole story. Supergirl and Mary team up again, and Supergirl gets Mary to ask Shazam to tell Capt. Marvel to prolong the fight. Talk about passing the buck. The ladies fly to Mars to sneak-attack Karmang. A fight ensues. Meanwhile, the big beat-down continues, and Cap doesnÕt remember why theyÕre fighting anymore. Then Superman wastes Cap with a HUGE punch, and thinks heÕs killed Cap. Shazam appears to Superman and tells him that Cap is weaker on Earth-1. He says that only by fighting could they regain their sanity. Then Shazam relates the whole sordid tale. Superman and Cap team up. They decide to go for broke. Superman superspeeds around Earth to shore up the magnetic field, then Cap destroys the machine. At KarmangÕs HQ, Supergirl hits a button and Karmang is tossed into Limbo, where his people will torment him for eternity. Superman, Supergirl, and the Marvels get together in the epilogue. Mary Marvel tells Superman that heÕs good-lookinÕ, and hugs up on him. Supergirl wants to show her how goofy this is, so she hugs up on Cap. Mary jumps at Supergirl, then realizes her own goofiness. And thatÕs a wrap. The initial JLA / JSA team-up was pretty good as usual Ñ but a complete disappointment if what youÕre after is a big confrontation between the Big S and the Big Red Cheese. The cover of JLA #137 is devoted to the meeting, but itÕs only used as a throwaway scene once the main story is over. They did it right in the tabloid. The story bears several similarities to the first Superman / Spider-Man team-up Ñ Gerry Conway wrote both. The only thing that really spoils it is that the two guys already know each other. This didnÕt detract from the story, really, but two super-strangers meeting would have been better, in my opinion. An improvement over the Spidey team-up was the super-battle. No deus-ex- machina power ups or downs for either character. Each guy is the respective franchise for their universe, with similar abilities. They went all out, with Superman coming out the winner, since Cap has reduced power on Earth-1. Would Superman be less powerful on Earth-S? Maybe there was never a Shazam on Earth-1, and Earth-SÕ universe didnÕt have a Krypton. I donÕt think this was ever addressed, but oh well. Some very nice characterization here, too. Supergirl is shown to be more analytical and level-headed than Superman, and Mary is more impetuous than her brother. MaryÕs boy-crazy bit was funny, but IÕm glad Supergirl wasnÕt likewise nuts about Cap, him being a little kid and all. It just would never work out. :) I have to say that the tabloid stories were much better than any other Superman stuff of the time. Maybe the special format brought out the best in the creators. All of these books that IÕve reviewed have been well-done, exciting stories, full of action and fun. They are the kind of straight action stories that I loved most as a kid. I get a big kick out of them now, too. This review also exhausts my collection of Superman tabloids. IÕm looking to get my hands on Superman vs. Muhammad Ali, and there was a Superman vs. Wonder Woman set in World War II that might be fun. Superman just couldnÕt get along with ANYBODY. :) Thanks for reading, and IÕd love to hear your comments. Joe Crowe (j.crowe4@genie.geis.com) _________________________________________________________________ THE SILVER AGE SUPERMAN ÑÑÑÑÑÑÑÑÑÑÑ- by Bill Morse (billmorse@aol.com) The Silver Age Death of Superman Long before our recent Death of Superman hyped-up series, DC published one of its most imaginative Imaginary stories, in which Luthor finally achieves his goal. The storytelling transcended the typical level of Silver Age stories. There was less contrivance, and more advancement of a logical plot. ÒThe Death of SupermanÓ was originally published in Superman #149, in 1961. It has been reprinted several times, in annuals and other collections. It is available, along with many other Silver Age Superman classics, in THE GREATEST SUPERMAN STORIES EVER TOLD. It was written by Jerry Siegel, and drawn by Curt Swan. Fans who only know the post-Byrne Superman will need to be reminded that the Silver Age Luthor didnÕt have the respectable persona of a great businessman. The public considered him a menace, and every time Superman defeated him, he ended up back in prison. No one ever asked, since we had seen every one of his prison escapes and plots foiled by Superman, how it was that Luthor has such financial resources to afford the incredible technology he invented? Unlike the grey areas in todayÕs comics, where villains frequently remain at large, Silver Age villains were caught and imprisoned in every story. This Three-Part Novel devotes its first chapter to LuthorÕs seeming change of heart. While passing the prison rockpile, he notices a strange glowing rock. He deliberately slugs a guard, who announces that Luthor will lose his soft job in the prison library, and be assigned to the rockpile. Of course, this is exactly what Luthor wanted. He now has the chance to examine the unearthly boulder. Despite LuthorÕs history of being able to construct high-tech escape devices out of shoe laces and paper clips, he convinces the warden to allow him to use the prison hospitalÕs laboratory for 24 hours, by promising a cure for cancer. Luthor pleads that he wants to atone for his past crimes by giving mankind this great gift. Sure enough, the glowing rock is Element Z, which Luthor has long suspected must exist somewhere in the universe. One day later (!), he delivers the cure to the warden, who promises to have it checked out by the worldÕs leading cancer researchers. ÒLater, that very day,Ó as unlikely as it seems, those authorities have managed to confirm that LuthorÕs serum is exactly what he claims. The warden predicts a Nobel prize. Luthor puts on a humble grin, and says, ÒIÕm . . . glad! But I want no reward! I just want to make up for my evil past!Ó (All Silver Age Comics were punctuated exclusively with exclamation marks!) The world, including the cast of regulars at the Daily Planet, hails Luthor as a reformed man. Superman decides to put in a good word for him at the parole board. We see Luthor with that phony grin again, mumbling, Ò . . . choke . . . This is the happiest moment of my life!Ó Superman flies him to Metropolis, where Luthor reveals his old hideout, an abandoned museum, and renounces his exhibits honoring historical bad guys. He asks Superman to smash the statues. Suddenly, theyÕre close buddies. Superman confides, ÒMay I admit something? There were times, Luthor, when you had me plenty worried!Ó What a Boy Scout! They swap stories about past struggles. Luthor holds a press conference, announcing that his next goal is finding a cure for heart disease. (Of course, he might have to wait until some Element X falls into his hands.) The world eagerly awaits the next great breakthrough by their new hero. But at the end of Chapter 1, some shadowy underworld types pay a visit to Luthor, threatening that unless Luthor gets back on the Òkill SupermanÓ track, he will be rubbed out. Luthor gives them a resounding ÒNO!Ó, and they fire their pistols at him, but fortunately, Superman has been monitoring the scene, and saves his new friend. He gives Luthor a signal watch like Jimmy OlsenÕs. But organized crime is so persistent in their attempts, Superman decides to build Luthor an orbiting laboratory. When the underworld even musters their resources to launch a missile at the satellite, Superman constructs an impenetrable shield around it. Now Luthor has all of the pieces of his plot in place, and lures Superman inside, where he is trapped in a chamber with a powerful Kryptonite ray. Luthor opens a window to reveal that Lois Lane, Jimmy Olsen, and Perry White are captive witnesses to SupermanÕs murder. Luthor gloats and reveals that his reformation had all been a hoax, to gain SupermanÕs trust, and get his final revenge. The scene lingers, as we see Superman suffer, turn green, and finally die. Luthor lands his satellite, allows SupermanÕs friends to leave with SupermanÕs body, and then broadcasts his triumph to the world. The world mourns, the underworld rejoices, and Chapter 2 ends with LuthorÕs thoughts, ÒOnly Superman stood between me and my great goal to rule this planet! Soon, IÕll be King of the Earth!Ó (But at least, he doesnÕt add a cackle: HaaHaaaaaaaaa!) We move on to the ÒFuneral for a FriendÓ phase, in which friends, super and otherwise, gather from all over the universe to pay tribute to their hero. Some interesting observations: a nice, subtle touch was added by inking the faces of Batman, Robin, Aquaman, and Green Arrow to resemble the styles of their respective Silver Age illustrators. George Klein inked the entire book, but DC occasionally used ÒcameoÓ inkers. Although this was a rare phenomenon, it happened most often using Kurt Schaffenberger to ÒcameoÓ ink LoisÕ and LanaÕs faces. This story also marked the first time that the members of the Justice League and the Legion of Super Heroes were ever together in the same room. But alas, not in the same panel. Everyone files past the glass coffin, where the green-skinned Superman is enshrined. Next we see scenes of revelry, as the underworld toasts Luthor., who delivers a sadistic play-by-play: ÒHe wriggled and twisted like a worm! He sweated, and turned green! The last thing he ever saw was my grinning face!Ó But their party is interrupted, as (?) Superman comes bursting through the wall! He smashes the trophy photos of SupermanÕs last grimaces, then strips off his disguise to reveal . . . Supergirl! At this point, the world didnÕt know there was a Supergirl. She announces that things are going to return to normal, that sheÕll be stepping into SupermanÕs shoes, and as her first act, she carries Luthor to Kandor, to be tried for murder. (For those unfamiliar with Silver Age lore, Kandor was a Kryptonian city which was shrunken and imprisoned in a bottle by Brainiac. Superman rescued the city, but it remained shrunken in its bottle, in his Fortress, for most of the Silver Age.) LuthorÕs trial begins, but throughout, he believes he has an ace-in-the-hole. He is sentenced to eternity in the Phantom Zone, and plays his trump card: he offers to enlarge their city, which even Superman failed to accomplish. He is shocked when the judge tells him, ÒWe Kandorians donÕt make deals with murderers!Ó The story closes as we see Supergirl launch her career, and the world begins to recover from its mourning. And Superman stays dead! _________________________________________________________________ CLASSIFIEDS: ÑÑÑÑÑ- I am looking to buy the following issues: Superman: The Man of Steel #17 Adventures of Superman #444 Action Comics #683 Superboy & The Legion of Super-Heroes #200, 203 Help a fellow collector. Seth Isaacs (sei101@psu.edu) ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ LEXCORP: ÒYour future is in our handsÓ ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ Trading cards for sale/trade! LOIS AND CLARK Have: 1 prototype (L&C1 - trade only) Inserts L&C7 and BJ3, 1 set, singles Need: Card #05 (Lex Luthor) Prototype L&C2 (will trade even for above L&C1) Inserts BJ4-BJ6, L&C2-L&C4, and L&C6 DC MASTER SERIES Have: 2 sets, singles Need: Insert DS5 SUPERMAN: THE MAN OF STEEL PLATINUM SERIES COLLECTORÕS EDITION Have: Inserts S1, S5, and S6 1 set, singles PREMIUM EDITION Have: 3 sets, singles In addition to the above, IÕm also interested in a set of the DC Villains: Dark Judgement cards, as well as its inserts which depict Superman and his villains. Though I would prefer trading, I will consider buying the cards IÕm looking for Ñ at reasonable prices! Make me an offer! Jeff Sykes (sykes@ms.uky.edu) ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ If you would like to place an ad, send it to one of the following addresses: sykes@ms.uky.edu, DrArt95@aol.com, or KryptonCN@aol.com. Try to keep your ads fairly short. All advertisements must be received by the first Monday of the month to be included in the next issue of the magazine. Be certain to include your e-mail address in the ad. _________________________________________________________________ ***************************************************************** End of Section 5 #### ______________ THE RED HOUR: FOLCfest Ô95 ÑÑÑÑÑÑÑÑÑÑÑÑÑ by Zoomway (Zoomway@aol.com) If you have ever seen a Mickey Rooney-Judy Garland movie, it might make explaining how FOLCfest Ô95 took place, a whole lot easier. Just as a group of enthusiastic friends got together to Ôput on a showÕ in those old films, a group of fans of Lois and Clark (FOLC) from the Lois and Clark e-mail discussion list (LOISCLA) decided it would be fun to meet each other, tour Warner Brothers studio (where the show is filmed) and have a dinner together. A celebration of their favorite show. There are hundreds of fans subscribed to the list from all over the world, of both genders, and every age group. It was thought, and perhaps naively, that there would maybe be two dozen or so at the most who could actually make the trip. Gail Lefkowitz, the human dynamo who took on the Herculean task of coordinating the fest, found herself having to put an emergency cap on responses when the number of positive replies hit fifty, and showed no sign of slowing down. Even at this, the numbers still crept upwards of seventy. This response was simply from one cyber branch of Lois and Clark fandom. Had this innocent invitation been posted on the internet, and online services, the numbers would most certainly have required a convention. Judging by the disappointment of those who heard about the FOLCfest belatedly, it can only be hoped that if such an event is planned for next year, that a convention is given serious thought. The seventy or so fans who were fortunate enough to respond before the cap was put on, decided to meet in mid August (Aug. 11th-13th) so that the show would be filming for season three, and the fans might catch a glimpse of their favorite actors. The majority of fans would be staying at the Holiday Inn in Burbank, and a con-suite for watching tapes of the episodes, and homemade videos, eating munchies, taking photos, and mainly communing with fellow fans would also be located at the Holiday Inn. The fans began to arrive, and unlike fans of other shows, the Lois and Clark fans did not show up wearing red capes, or their underwear on the outside of their clothing. They looked disturbingly normal. On August 10th, fans who were a day early, eventually found their way to the con-suite where the ÔhamperÕ was being filled. The hamper was somewhat like a giant CARE package to the cast and crew. It contained foods, and gifts offered by fans from different states and countries, and usually reflected the region the fan was from; a potato Ôspud gunÕ from Idaho, Chili from Texas, and clip-on koalas from Australia comprised some of the tokens of the fansÕ affection for the people who make millions each week believe that a man can fly, ÔandÕ lose his heart to Lois Lane. The next day, August 11th, the fans all carpooled over to Warner Brothers studio for the tour. However, with about seventy fans in attendance, plus tour guides, it looked a bit more like a friendly invasion. The fans were treated to a small film montage of Warner Brother classics, and the crowd cheered loudly when Kevin CostnerÕs line ÒWhatÕs your idea of a body guard?Ó segued into Christopher Reeve tearing open his shirt to reveal the famous Superman shield. After the film, the fans were herded (sorry, but thereÕs no other word for it :) down the streets that are so familiar, and yet exist nowhere else on Earth, except on Warner BrothersÕ backlots. Points of interest for the fans of course, were those relating directly to their favorite television program. A group photo was taken in front of the Daily Planet globe, and it somehow reminded me of the scene from Citizen Kane where the purloined newspaper staff had gathered for a similar photo. The fans also had their pictures taken in the saloon that had been run by Miss Martha from the Tempus Fugitive episode, as well as the Kansas Insane Asylum where Tempus was unwillingly housed. The group eventually invaded Clark KentÕs apartment. The fans climbed the steps to the small landing where Clark has a table and chairs (this part of Mr. KentÕs apartment is easily seen in second seasonÕs finale, ÒAnd the Answer Is...Ó Right down to the chairs with the shipÕs anchor design. Passing through the door at the top of the landing leads directly into the apartment. The furniture was covered with sheets, but a revolving wine rack, which now hides ClarkÕs Superman costumes, was a point of interest, as was the fact that Clark seemed to have no bed. Though this led to jokes that Clark might be sleeping elsewhere third season, it was actually assumed that the bed is only brought in when a scene requires its presence. The last stop was the Daily Planet news room. This is an enormous set fortunately, and unlike ClarkÕs apartment where small groups passed through, all seventy plus were able to fit in quite nicely. As fans took turns sitting in Lois or ClarkÕs chair, or behind Perry WhiteÕs desk, the tour guides seemed to mysteriously vanish. Shortly after this, Executive Producer Robert Singer walked from backstage onto the landing above the news room pit where the elevators are located. He was accompanied by producer Jimmy Simons, writers Chris Ruppenthal, Grant Rosenberg (second season), and Eugenie Ross-Lemming who, along with partner Brad Buckner, will be writing scripts for third season. The fans cheered and applauded, and the impromptu panel fielded questions. Among other things, a future episode was promised where Lois LaneÕs family will meet Clark KentÕs, and that Lucy Lane would return, and most important to the fans, the romance of Lois and Clark would continue. It was also obvious that Robert Singer himself reads the listserv, because he said that someone had referred to him as a ÔvirusÕ (this no doubt before the romance arc began), but he seemed good humored about it, and was rather brave to put in an appearance in front of an audience that was not terribly fond of his executive decisions at the beginning of the second season. However, the fans were also quick to praise his gutsiness, and the fact that he, unlike the seaQuest executive branch, was flexible, and a gambler. His gamble paid off, and made Lois and Clark a hit, while the lack of like action sank seaQuest to the bottom of the ratings. Above even this, however, was his willingness to listen, and respond to the group who understand Lois and Clark the best; the fans. The panel was soon joined by actress K Callan who portrays ClarkÕs mother (the best mom in the world) Martha Kent. The fans greeted her entrance enthusiastically, and let her know how popular she, and her character, are with the viewers. She was not on stage long before pandemonium broke out (I could not find a stronger word) when stars Dean Cain (Clark Kent) and Teri Hatcher (Lois Lane, who was being carried out by her co- star) entered accompanied by Justin Whalin (Jimmy Olsen). Justin seemed genuinely fearful at first, and with good reason perhaps. The young actor had to unfairly bear the brunt of fansÕ anger early last season when he was hired to replace actor Michael Landes. However, the fans apologized, and told Justin that he had won a place in their hearts forever when Jimmy Olsen knocked Dan Scardino (Jim Pirri) down a flight of stairs (this rival for Lois LaneÕs affections was not warmly received by the fans). Don Roberts, a fan from California, shouted ÒGo Tigers!Ó to Dean Cain, a reference to DeanÕs Princeton years. Dean asked Don what his major at Princeton was, and when Mr. Roberts replied, ÒPlasma Physics,Ó Dean said, ÒYeah, me too.Ó This got quite a laugh from the audience, since DeanÕs major was history. Don also questioned Dean as to the exact nature of his knee injury, which Dean answered in vivid detail. Due to space restraints, IÕll e-mail the details to anyone interested, and include free a cool ASCII illustration of the knee, which Mr. Roberts provided :) The fans also learned that Dean Cain does not know the undernet from his underwear when asked if heÕd ever visit the IRC (Internet Relay Chat), he said he didnÕt know the difference between AOL (America Online subscription service) and the OIC (his confused reference to the IRC). Teri Hatcher, on the other hand, is another matter. Not only did Ms. Hatcher correct Dean on his misconception, but stated that she has lurked on the IRC listening to what the fans have to say, and she also commented, ÒI know how filthy you people getÓ and thankfully said so with a rather admiring smile. She mentioned some Ôcouch sceneÕ that she had read, or overheard, as an example to back up her statement, and asked who had written it, and apparently it is a story she shared with Dean, because he added, ÒYeah, who wrote that.Ó Unfortunately no details of the story were given, so no one could provide an answer. This was just a small example of how the stars interact, even invisibly, with the fans. They seem to know as much about the fans, as the fans know about them. This was made apparent when Tad Takara and I were granted our fifteen minutes of fame. Teri Hatcher asked to meet Tad. I should explain that Tad Takara is seen as the biggest, and most gentlemanly of Teri Hatcher fans (he respectfully calls her Ms. Hatcher instead of Teri) and defends any slight the actress may incur throughout the Internet. Tad stepped up to the landing barrier, and shook TeriÕs hand, and commented long afterward that his hand was still tingling. As to my fifteen minutes of fame, I must remain a bit vague, because to this day I am not sure who said what. I was lurking at the back of the news room set near Perry WhiteÕs office. I must also admit to a hearing loss that made following what was said difficult, and it was immediately worsened when a fan screamed near my ear when Dean and Teri appeared. There was a moment when all of the fans in front, turned and looked at me, and I had no idea why. I was being pushed forward into the mosh pit-like atmosphere all the way to the front of the stage. I was told conflicting details. One person said Teri had asked for me, while another said K Callan had asked for me, and Teri had said, ÒSo, youÕre Zoomway.Ó and yet a third person attributed that line to Robert Singer. Perhaps a fan with excellent hearing, and who was near the front of the stage can clear this matter up for me, because I was still unable to hear much of anything at this point, and did nothing much more than stare. However, being about three feet away from such attractive people, I felt as if I were there as a ÔDonÕt Let This Happen to YouÕ organic comparison chart. Other highlights of the visit was Kaz, from Australia, presenting Dean with a small wooden statue from Borneo provided by fan Lin-Suen Tan. She suggested the statue be placed in Clark KentÕs apartment to reflect his world travels, and Dean promised it would, so weÕll see. A small Australian film crew photographed the Australian fans sitting with the cast, and Kaz also gave Dean a kiss. All too soon the stars, writers and producer departed, and fans were left with a neverending afterglow. But the festivities did not end here. The following evening, K Callan visited the con-suite, and brought along a Lois and Clark blooper reel. After that, everyone went across the street to the Bombay Bicycle Club for dinner, including K Callan. IÕm afraid Ms. Callan was not able to eat much that night. Her diet could be called adoration. The fans wanted to talk to her, photograph her, etc. and she was extremely gracious, and seemed to have a wonderful time. The dessert was a huge cake with the Superman emblem in the center, which K sliced and handed out. It was an unforgettable evening, just as the day before had been. I have researched and written about television for sixteen years, and in that length of time, a certain jading, and cynicism sets in. You begin to expect to find an ÔangleÕ to everything. I have never seen a television show, still in production by one of the big three American networks (ABC, NBC, and CBS) show such kindness to fans, and seemingly with no other ulterior motive than to thank them. We expected nothing, and they owed us nothing, and yet, there they were. I am so used to fans being ignored, and even mistreated in the extreme, that this was altogether stunning. Whether this happened due to the ÔsafeÕ intimacy provided by computer interaction and instant feedback between fan and creator, or, as Singer himself said, that Lois and Clark fans represent a broad cross-section of the American viewing public (this is certainly true. I was impressed at the wide age range from children, teen, to forty-somethings who proudly call themselves fans), or just a kind of magic that seems to follow the name Superman. Whatever the reason, it was an above and beyond gesture of kindness, and wonÕt be forgotten. _________________________________________________________________ COMING ATTRACTIONS ÑÑÑÑÑÑÑÑÑ A List of Upcoming Comics Featuring The Superman Family of Characters Assembled by Jeffery D. Sykes This monthly section is dedicated to giving you official information concerning which comics you should watch for in the near future in order to keep up with Superman, Superboy, Supergirl, and all the rest of the Superman family of characters. The information which follows is reprinted without permission from Diamond Previews and is in no way meant to serve as a replacement for that magazine. I strongly recommend that each reader find his or her own copy for additional detailed information on the entire DC Universe! Note that Diamond is now the exclusive distributor of DC Comics! Notes: November begins the ÒTriangle Year 1996Ó by concluding ÒThe Trial of Superman.Ó In addition to the close of this major storyline, DC presents a new year of stories from the Man of SteelÕs supporting cast by way of SHOWCASE Ô96. The 12 issues of this series will feature stories in which Metropolis-based heroes (and villains) are teamed up with other members of the DC Universe. Several of its backup stories will focus on some of the villains powered up by the events of UNDERWORLD UNLEASHED. If two Karl Kesel issues of Superman-family comics each month are simply not enough to satisfy you, then youÕll love NovemberÕs offering! SUPERMAN/TOYMAN is a one-shot special written by Mr. Kesel and illustrated by Stuart Immonen and Wade von Grawbadger (of the Supergirl story from issues #1-2 of SHOWCASE Ô95) which serves as a lead-in for KennerÕs new line of Superman action figures! Supergirl makes a guest appearance in GREEN LANTERN #70, and the Justice League Elseworlds tale, LEAGUE OF JUSTICE, has been rescheduled to begin this month. Finally, DC offers two different Superman collections this month. On November 14, SUPERMAN: ERADICATION! is a trade paperback which reprints ADVENTURES OF SUPERMAN #460, 464-465, SUPERMAN #41-42, and ACTION COMICS #651, the origin of the humanoid form of the Eradicator (most of this is from the multi-part story, ÒThe Day of the Krypton ManÓ). This book has a cover price of $12.95 US. Then on November 21, DC offers the SUPERMANÕS GREATEST HITS COLLECTION PACK, containing first printings of several issues from ÒThe Reign of the SupermenÓ [begging the question, ÒHow many of these did they print!?Ó :) ÑJeff]. The issues include the standard editions of ADVENTURES OF SUPERMAN #500-501, ACTION COMICS #687, SUPERMAN: THE MAN OF STEEL #22, and SUPERMAN #78 and #82, as well as the collectorÕs edition of ADVENTURES OF SUPERMAN #505. Each pack includes two of four randomly inserted SkyBox trading cards, each featuring one of the four Supermen. The retail value of the package is $13.00. 1. List of Titles by Shipping Date: ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ- Date: Comic title and information: ÑÑ ÑÑÑÑÑÑÑÑÑÑÑÑÑ- September 5: Action Comics #715 Michelinie, G. Kane, & Rodier Cover by Dwyer & Rodier $1.95 Showcase Ô95 #10 (of 12) Gangbuster Story Ordway & Staton Cover by Frenz 48 pgs, $2.95 Superboy Annual #2 K. Kesel/B. Kesel, Brewer, & Parks Cover by Brewer & K. Kesel 56 pgs, $3.95 Underworld Unleashed #1 (of 3) Waid, Porter, & Green 48 pgs, $2.95 September 12: The New Titans #127 Wolfman, Rosado, & Blyberg $2.25 Superboy #21 FUTURE TENSE: Part 1 (of 3) K. Kesel, Grummett, & Hazlewood Cover by Grummett & K. Kesel $1.95 Superman: The Man of Steel #50 THE TRIAL OF SUPERMAN: Part 1 (of 12) L. Simonson, Bogdanove, & Janke 48 pgs, $2.95 September 19: Legion of Super-Heroes #74 (Superboy) FUTURE TENSE: Part 2 (of 3) Peyer/McCraw, Moder, & Boyd Cover by A. Davis & Farmer $2.25 Showcase Ô95 #11 (of 12) Agent Liberty Story Jurgens & St. Pierre Cover by Dan Jurgens 48 pgs, $2.95 Superman #106 THE TRIAL OF SUPERMAN: Part 2 (of 12) Jurgens, Frenz, & Rubinstein Cover by Jurgens & Rubinstein $1.95 Superman: At EarthÕs End Tom Veitch & Frank Gomez 48 pgs, Prestige Format, $4.95 September 26: Action Comics Annual #7 Michelinie, D. Robertson, & Vancata Cover by Walt Simonson 56 pgs, $3.95 Adventures of Superman #529 THE TRIAL OF SUPERMAN: Part 3 (of 12) K. Kesel, Immonen, & Marzan Jr. $1.95 Legionnaires #31 (Superboy) FUTURE TENSE: Part 3 (of 3) Peyer/McCraw, Moy, & Carani $2.25 The Outsiders #24 (Supergirl, Steel, Superboy, etc) M. Barr, C. Jones, & Hunt $2.25 Steel #21 UNDERWORLD UNLEASHED tie-in L. Simonson, Gosier, & Faber Cover by Gosier & Janke $1.95 October 3: Action Comics #716 THE TRIAL OF SUPERMAN: Part 4 (of 12) Michelinie, Dwyer, & Rodier $1.95 Underworld Unleashed #2 (of 3) Waid, Porter, & Green 48 pgs, $2.95 October 10: Superboy #22 UNDERWORLD UNLEASHED tie-in K. Kesel, Grummett, & Hazlewood $1.95 Superman: The Man of Steel #51 THE TRIAL OF SUPERMAN: Part 5 (of 12) L. Simonson, Bogdanove, & Janke $1.95 October 17: Doomsday Annual #1 Various Cover by Jurgens & Ordway 56 pgs, $3.95 The New Titans #128 Wolfman, Rosado, & Blyberg $2.25 Superman #107 THE TRIAL OF SUPERMAN: Part 6 (of 12) Jurgens, Frenz, & Rubinstein Cover by Jurgens & Rubinstein $1.95 October 24: Adventures of Superman #530 THE TRIAL OF SUPERMAN: Part 7 (of 12) UNDERWORLD UNLEASHED tie-in K. Kesel, Immonen, & Marzan Jr $1.95 Showcase Ô95 #12 (of 12) Supergirl Story Charles Moore & Phil Jimenez Cover by Tom Grummett 48 pgs, $2.95 Steel #22 A TRIAL OF SUPERMAN tie-in L. Simonson, Gosier, & Faber $1.95 Superman: The Man of Steel Gallery #1 Various Artists Cover by Kevin Nowlan 32 pgs, $3.50 October 31: Superman: The Man of Tomorrow #3 THE TRIAL OF SUPERMAN: Part 8 (of 12) UNDERWORLD UNLEASHED tie-in Stern, Grummett, & Breeding $1.95 Underworld Unleashed #3 (of 3) Waid, Porter, & Green 48 pgs, $2.95 November 7: Action Comics #717 THE TRIAL OF SUPERMAN: Part 9 (of 12) Michelinie, Dwyer, & Rodier $1.95 Superman/Toyman #1 K. Kesel, Immonen, & von Grawbadger $1.95 November 14: Superboy #23 K. Kesel, Grummett, & Hazlewood $1.95 Superman: The Man of Steel #52 THE TRIAL OF SUPERMAN: Part 10 (of 12) L. Simonson, Bogdanove, & Giordano $1.95 November 21: Green Lantern #70 (Supergirl) Marz, Pelletier, & Tanghal $1.75 The New Titans #129 Wolfman, Rosado, & Blyberg $2.25 Showcase Ô96 #1 (of 12) Steel and Guy Gardner Beau Smith & Sergio Cariello Metropolis S.C.U. Scott Ciencin Cover by Sergio Cariello 48 pgs, $2.95 Superman #108 THE TRIAL OF SUPERMAN: Part 11 (of 12) Jurgens, Frenz, & Rubinstein $1.95 November 28: Adventures of Superman #531 THE TRIAL OF SUPERMAN: Part 12 (of 12) K. Kesel, Immonen, & Marzan, Jr. $1.95 League of Justice #1 (of 2) Hannigan & Giordano 48 pgs, Prestige Format, $5.95 Steel #23 L. Simonson, Gosier, & Faber $1.95 2. Spoilers: ÑÑÑÑÑÑ November 7: ÑÑÑÑÑ Action Comics #717 THE TRIAL OF SUPERMAN: Part 9 (of 12) - Still on the run from the Intergalactic Tribunal, Superman finds heÕs also pursued by his most hateful and relentless foe, the Cyborg! Superman/Toyman #1 Leading into the January release of KennerÕs new line of Superman action figures, DC presents this special one-shot starring the characters featured in the first wave of figures. One of SupermanÕs most deceptively deadly adversaries, the Toyman, engineers a plot to destroy the Man of Steel with a lethal army of killer action figures. November 14: ÑÑÑÑÑ- Superboy #23 When the Technician uses SuperboyÕs super-powered visor against him, the Kid must battle his own powers or Tana may pay the ultimate price! Superman: The Man of Steel #52 THE TRIAL OF SUPERMAN: Part 10 (of 12) - ItÕs the decisive showdown between Superman and the Cyborg. But even if the Man of Steel survives, the charges against him *still* stand! November 21: ÑÑÑÑÑ- Green Lantern #70 Supergirl guest-stars as Kyle Rayner and Donna Troy break up. Plus, Kyle gets a revealing history lesson on the Green Lantern Corps from former Corps member, John Stewart. The New Titans #129 MELTDOWN continues - The dark force behind the Psions is revealed, and itÕs targeted Starfire and Changeling for a mysterious purpose. Plus: while the captured Titans fight for their lives, Cyberion and the remaining Titans take on the Psion/Gordanian fleet in final combat. Showcase Ô96 #1 (of 12) Steel and Warrior team up when Guy Gardner returns to Washington and encounters Sledge and Executioner, in a story by Beau Smith, with pencils by Sergio Cariello. Then, returning to Earth from his other-dimensional exile, Aqualad endures his final steps of training... but first he must purge the memories of his past in a tale written and illustrated by Phil Jimenez. Finally, without the aid of Superman, Metropolis S.C.U. member Ben Turpin must defend his city from a demon in a story by Scott Ciencin. Superman #108 THE TRIAL OF SUPERMAN: Part 11 (of 12) - The sentence is passed! Superman is to be rocketed into the nebulous, kryptonite-laden remnants of his home planet, spelling certain doom for the Last Son of Krypton. November 28: ÑÑÑÑÑ- Adventures of Superman #531 THE TRIAL OF SUPERMAN: Part 12 (of 12) - The survivors of the trial return to Earth... and the outcome offers a new role for Alpha Centurion. League of Justice #1 (of 2) In this Elseworlds 2-parter, a group of teenagers is transported to a magical world of sword and sorcery. Only by helping to save this world do the teenagers have any hope of returning home. But they can only do that if they can secure the aid of this strange landÕs mystically- empowered beings Ñ heroes familiar yet compellingly different. Steel #23 When Steel is attacked by an armored super-soldier, heÕs shocked to discover that the soldier was sent by the government because of a family memberÕs betrayal! ________________________________________________________________ ************************************************************** End of Section 6/Issue #17 Ñ Jeffery D. Sykes | ÒThe cross that cost my Lord his life has given sykes@ms.uky.edu | me mine!Ó Ñ Point of Grace, ÒThe Great DivideÓ University of Kentucky | Department of Mathematics | Ask me about THE KRYPTONIAN CYBERNET!